Treasure Hunt America

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Jin Muchen pointed to the painting beside him and said, and at this time, two unknown bidders had come to stand beside him and helped him lift the painting.

The words he said at this time seemed to be very tall. For these rich local tyrants, it could be said that they were literate.

After all, most of the people who come here to participate in the underground auction are actually rich people who have a couple of dollars in their pockets and want to pick it up cheap. They may not know anything about antiques at all, or they only know a little bit.

There are also some people who may be in the antique business and have a deep understanding of antiques, but there are thousands of antiques in China, and these people may only know one of them. don't know.

After all, ancient Chinese paintings are mostly landscape paintings and ink paintings, and the ink and wash paintings of Bada Shanren can only be regarded as one of them.

And his paintings have a very high status in the West, and even some Westerners who understand eastern art will call his paintings Oriental Impressionism, which highlights his status in the history of Chinese painting art.

But for many people who specialize in Chinese antique paintings, Western Impressionism, for them, just hears the sound, but they don't necessarily know much about the essence of other Impressionist paintings.

And Jin Muchen's explanation like this is considered to have done a popular science literacy for these people, so at this time, Jin Muchen's image also instantly became taller in the eyes of these people.

Many knowledgeable people can say so many things just by listening to him and pointing at a painting, and they have already upgraded him to the status of an expert in their hearts.

As for experts who specialize in antiques, everyone still respects them, because maybe in the future, they will be able to deal with others.

You must know such experts, but it is very difficult to make friends, and sometimes everyone keeps an antique in their hands. When you are undecided, if you want to find such an expert to help you identify it, you can't do it with money, even if you want to get in the door. all difficult.

"The Ma Gongzi said before that this painting was appraised by Mr. Wang Jiulin, a Chinese appraisal master. But the final conclusion was ambiguous, because Mr. Wang Jiulin could not determine whether the painting was genuine or not. In fact, this is not the case. Strange, because the paintings of Bada Shanren became popular in China relatively late, and people didn't pay much attention to them before. Another important reason is that the paintings of Bada Shanren after he changed his name to Bada Shanren, are very popular. Some of his paintings have been lost overseas before the founding of New China. Because of the freehand nature of his paintings, they are very close to the Impressionists in Western paintings, so his paintings are very popular with Westerners, so the war before the founding of New China In the 1990s, Westerners searched for his works in China. Many of his fine paintings were lost overseas in that era. So there are not many genuine works that can be borrowed from his paintings in China, not even Mr. Wang Jiulin. He has seen a few freehand ink paintings of Bada Shanren with his own eyes, so he did not dare to judge the authenticity of this painting. This is also described in the autobiography left by Mr. Wang Jiulin after his death!"

Jin Muchen's remarks were specially prepared for Mr. Ma's previous doubts. And this is also one of the main reasons why the organizer and the people who came to participate in the auction have been uncertain about this painting.

Wang Jiulin is a famous art appraiser in modern China. Although his own achievements in artistic creation are not very high, he is very successful in the identification of works of art.

He was also one of the famous appraisers of the Palace Museum during his lifetime. Because he was born in Lingnan, he still has a very good ability to appreciate the works of some artists in ancient southern China.

When Yuemei was collecting this "Lake and Stone with Birds", it once asked him to do an appraisal. But that was in the early 1980s.

At that time, he was not only responsible for the identification of the painting, but also several well-known professors in Guangdong and the United States, who were responsible for the identification together with him.

However, it was because of the fact that there were too few works after Zhu Tong changed his name to Bada Shanren in China at that time, and they could not find a genuine copy of the signed Bada Shanren, which could be used as a reference, so they did not dare to conclude that this painting was the real painting.

It is precisely because they can't come up with an answer that this "Lake and Stone with Birds" collected by Guangdong and the United States has always been a painting with more controversy in China.

In fact, when it comes to the identification of the works of Bada Shanren, the British, Americans, and Japanese are all experts, because in several museums in their country, they have collected many ink paintings after Zhu Tong changed his name to Bada Shanren. Authentic painting.

When Jin Muchen visited museums in the United States before, he had seen several authentic works signed by Bada Shanren, and even saw an analysis report by a female archaeological doctor in the United States, which specifically focused on the characteristics of Bada Shanren's paintings, so he was able to Name so many features of Bada Shanren's works.

He is now raising questions about Wang Jiulin's identification. This is another challenge to a top senior in the antiques industry. If someone else said this, they would definitely be ridiculed by everyone.

But now that he pointed at the painting, he actually said so many doorways, and he said it in a straightforward manner. Now, no one in the crowd dared to laugh at him for being overly self-sufficient.

Because of what he said, he basically got to the point, and he even said many points to identify whether a painting is genuine Bada Shanren, which these people didn't know before.

Looking at this group of people with a hint of admiration in their eyes, Jin Muchen became more and more complacent. After all, young people are all vain. When he was happy in his heart, he decided to give this group of local tyrants more information about Bada Shanren. knowledge of works.

"If you want to know whether a piece of work is the real Bada Shanren, there are actually several tricks. One is to look at the birds he painted or to encounter the characteristics of the image. Another point is to look at the spatial layout of his paintings, his paintings, Special attention is paid to the placement of a few objects in the two-dimensional space. To put it bluntly, it is to make full use of the blank space, that is, the so-called "white and black" by the predecessors. At the same time, he can fully mobilize inscriptions, signatures, and seals in the layout. The balance, symmetry, density, virtual and real, etc. Before he created a painting, he always had a general planning and assumption, and every point he left on the paper played a pivotal role in the layout. No More, less, not extravagant, not economical. Let’s see this picture of lake and stone double bird The stone of the lake is placed in the lower part of the picture, the center of gravity of this position divides the picture into four pieces of space, the size of each piece of space They are all different, and the balance changes. Since the bird on the stone tip is on the right and its head is facing to the left, the inscription and seal are opposite to it on the left, which makes the empty background instantly lively, and visually breaks through the balance and harmony. Rich in content. From here we can see that he has the most economical use of pen and the simplest composition. When he is so vigilant in his creation, he no longer needs to pay attention to brushwork skills, nor does he need any embellishments. He is using The pen sketches the images in his heart, and those images jump out of his accumulated experience in his life, like a ray of light, which is fleeting and must be grasped quickly. Among the painters in Wanji, there is no one who can do this skillfully..."

Jin Muchen's compliments were actually all taken from before. He had read the analysis report on the paintings of Bada Shanren by the American female archaeologist.

If he was allowed to experience the subtleties of Bada Shanren's paintings by himself, he might have to realize it for a while, but at this time it didn't prevent him from taking other people's words to bluff people.

I have to say that these are a bit mysterious, and if there are very straightforward words, the effect is very good, and it can be said that it immediately shocked the audience.

Now his image in the eyes of everyone is getting taller and taller. No wonder people can pick up such a big leak. Dare people really understand!

Otherwise, who can point to a work of Bada Shanren and say so much?

It's no wonder that Westerners admire the works of the Bada Shanren so much, and they feel very fond of his paintings. There are many places that coincide with the masters in the Western painting world~www.wuxiaspot.com~ For example, the scenery of this picture, and Western painters are very particular about the spatial division of the picture by the use of painting themes.

"Let's talk about the artistic conception of his painting. We have been saying that Bada Shanren is the originator of Chinese ink and wash freehand painting, but what exactly is freehand painting? You can see it when you look at this painting, you look at the stone. The depiction is concise and powerful, and when you look at this stone, it does not look like an old grandfather with his eyes down, looking at the bird on the **** looking for food and seeming to notice nothing. The bird on the stone tip with staring eyes and mouth seems to be intimidating the stone. Don't think too much about the bird on the slope, or you may be jealous that the bird on the **** can be sheltered by the stone, especially the unstable stone. Appearing on the same screen with two birds standing on one foot, it seems that the two birds have just fought and are circling up and down the stone. Both show the instability of the situation and the helplessness of the bird on the stone tip. Therefore, what this painting expresses is completely free for the viewer to imagine by himself, thereby amplifying the capacity of thought. And the characteristics of such a painting are exactly the same as that of Western Impressionist paintings. Together, they all stimulate people's divergent thinking..."

As soon as Jin Muchen finished speaking, everyone present had grown up. . .

Oh! It is so! It turns out that this is the essence of freehand ink painting! (To be continued.)