This is My Planet

I have something to go to Fuzhou today, and I have nothing to do in the car. I definitely can’t code the words, so let’s chatter.

There will still be two shifts when I go home, but it will be later, so don’t worry.

Speaking of which, the recent plot is written here, which can basically be regarded as showing what I said before I opened the book-interstellar wars, space operas, types of wars combining technology and cultivation, and various civilizations.

Regardless of whether the writing is good or not, it is indeed written in this direction, right?

That is, the "transformation" and "new themes" I mentioned beforehand, and I also said "may fail".

In fact, I thought that the controversy of failure or failure should be reflected in this second volume. Maybe Ji Cha's writing of this kind of thing is not good, or maybe it looks okay... and so on.

But what I didn’t expect was that it didn’t even start here. A large number of old readers actually thought that the “transformation” I meant meant writing urban essays, pretending to be pigs and eating tigers, pretending to be aggressive, and brain-dead families... before the real thing to write started, there was already a wave of scolding.

Basically, half of the things I really want to write will not be seen by old readers, and they will not know whether it is good or bad.

So far, what the outside world thinks of as "Ji Cha's transformation" is still considered to be "abandoning old readers and catering to novices".

"Transformation, not shabby."

Some people think that the plot of the game Hongchen is out of style at the beginning, and there is no fairy emperor style.

Some people told me sincerely, alas, it is better to understand and write urban soldiers pretending to be pigs and eating tigers. I wish you success.

I:"???"

To be honest, these few months have been the most difficult days in my coding career.

Not because of bad reviews—but because I clearly wrote A, but a large number of people pointed out that I wrote B... So far, countless people don't know what this book is about.

The transformation that everyone understands is not a transformation.

Some people kindly told me that if you want to write urban pretense, you can refer to Hidden Killing.

Who said I want to write urban pretense? My urban plot is just one episode?

This feeling of confusion and loneliness, where no one even listens to the excuse, really has a feeling of "shaking and cold".

Maybe a friend said, why did you write urban plots in the first place, and why did you have to lower your standards? Find someone to misunderstand you?

Because the design of the work is progressive.

From a city, to a country, to a star, to a star field, to ten thousand realms.

In the content of Mortal City, the level is very low. As a crushing powerhouse, it is completely a game mentality, just like when we go to kindergarten.

Of course, when you need to show off, you will not deliberately hide it, and you will show it when you need it, and do whatever you want, because this kindergarten does not challenge you at all, it is just for fun.

This is a game of mortals, and it is different from pretending to be a pig and eating a tiger. Even if there are similarities on the surface, it is really two different things.

How to tell the difference between the two? It is easy to judge only from the direction of expansion. Have you hit the younger ones for the older ones? Have you shown your strength and others still don't know you showed it, and continue to line up to show your face?

No.

On the contrary, it didn't take long for Lian Yuan to be killed.

If you want to talk about the King of Soldiers, you might as well say that you are the King of Anti-Soldiers, because the routine is reversed, and because of the reverse, the urban plot is destined to be short-if the villain is not brain-dead, he will immediately rise to the highest level.

So obviously this is just an initial stage of "knowing this planet", and the next stage is "this is my planet", starting to unfold the main line.

What follows is the main plot.

Maybe I've misunderstood.

Too many people think that you should not only show calculus to kindergarten children, but also linear algebra and Goldbach's conjecture, otherwise you are an academician?

No force, no force, no force, I don’t know how long I’ve been talking.

When there is no need to show off your style in kindergarten, scold you for not showing off your style.

When it comes to truly commanding the planet and fighting for hegemony, it is the time to really start to show off, and the people are gone.

In all fairness, is Lao Xia really not up to par in the interstellar plot? The force is almost overflowing, okay?

I felt like an old general on an empty stage.

A friend asked me, if this is the case, why don’t you just skip the urban plot in the first place? Change the entry point.

In fact, it is possible, but it is too late to think about it, and I can’t delete more than 200,000 words. Maybe one day in the future when I am free, I can rewrite this book, but I can’t do it now.

In fact, the urban plot is not only a progressive effect, but also a process of road transformation.

The injury is not to suppress the ability, but to highlight his "swaying" on the main line of emotion. When the path is settled, the injury will be healed. And in this swinging period, the force level should not be too high. If it is the top level at that time, how can it prove the correctness of the new path?

At that time, if you were not "entangled", how could you contrast the later relief?

So in terms of structure, the urban plot is "pressed", while StarCraft is "released" at the beginning. At the same time, the urban plot is also a foreshadowing of the world view.

In the final analysis, I am still Wenqing seriously ill, and I want a complete logic and structure too much.

As a result, Wen Qing was treated as a novice...even the driver Feng who knew me best before.

Sometimes there will be a kind of Qingwen-like resentment-if I had known this, I might as well have done it.

I really wrote that the city soldier king pretended to be slapped in the face, my grades may be much better. Why is it like this now that the audience who pretends to face the face does not watch it, and the audience who read the story misunderstands it faster than anyone else, and they are not right and left.

In addition, the invincible flow itself is difficult to write, and it is easy to lose the sense of expectation, because they are all invincible, and there is no pressure to make it too flat.

So the transition was a failure.

Yes, this book basically declared a failure... It's just that the reason for the failure was different from what I expected. Let me travel back to a few months ago, and I might not even believe the result when I was told.

However, after being aggrieved for a few months, I can see it now.

I write mine, and readers who like it continue to read.

Basically, the content is set to be four volumes with 2 million words, and it is almost two volumes, almost halfway through.

As long as the expected content is well written, there will be no regrets for the individual.

God or not, resign to fate.

But... probably I will change my pseudonym for the next book.

Because I can't bear the high expectations and pressure of "others can write a few words, but Ji Cha's writing is one star".

I am not a goddess.