The Greatest Showman

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In the field of artistic creation, there is always such a work: as much as you hate it, as much as you like it. Extreme hatred and extreme adoration have pushed such works into the whirlpool of controversy, floating ups and downs in the treatment of ice and fire.

Can "detachment" be considered such a work of art? It is not known yet, only time will tell. But what is at least certain is that critics do indeed coexist with criticism and praise, exclusion and support. Just as "Entertainment Weekly"'s Lisa gave it a very low score of "0.5/4", "Silver"'s Anthony gave it an unbelievably high score of "3.8/4".

Such a clear-cut rating looks like a child quarreling, "I like it", "I don't like it", "I don't like you", "I don't like you either"... Childish and impulsive, quite unreasonable, Both ratings deviate from the norm, but in the context of the author's film, they are logical and taken for granted.

The two film critics expressed their attitude towards "detachment" with a clear position and a firm viewpoint. This has been the case with countless cult films and art films throughout history. Leaving aside the historical status of the future of "detachment", it is certain that the attitude of film critics is indeed developing in this direction.

In addition to the "screen", there are eight other media can't wait to send positive affirmations.

"The New Yorker," "3.5/4," "No one mentions it, but I have to admit, this work reminds me of 'Life is Beautiful because of You,' more or less. Tony Kaye shows education The most important qualities among them: trust, patience, and empathy, and sounded the alarm with a compassionate perspective; meanwhile, Renly-Hall gave something comparable to that of Richard-Dreyfuss. ), and if that still doesn't prove that he's one of the best actors in Generation Y, I don't know what does."

"Empire", "3.2/4", "With his three-point performance in 'Transcendence', Renly Hall deserves a standing ovation, and if possible, a Best Actor trophy would be a more appropriate choice. This is undoubtedly It is the most special viewing experience this year, following Hall's eyes, the audience's mood is like a roller coaster, walking in this collapsed Usher House, reflecting turbulently."

"Los Angeles Times", "3/4", "This is a work that keeps the audience shivering all the time, like a blood-stained fist smashing into the air rough and primitive, every punch can set off a wave of air, Unseen, but very real; at the same time, there are some weird parts of the film, the use of chalk and clip art, which is out of tune with the overall style of the film. But, Renly-Hall did it again, bringing a heart-pounding performance ."

Us Weekly, "3/4," "Tony Kaye's Bold and Crazy Experiment: How Students Are Gradually Disconnected from Education, and How Teachers Are Gradually Driven Insane. Hidden in Schools What is the root cause behind education? This undoubtedly leaves a big question mark for all viewers. In addition, thank you Tony Kaye for once again giving the best Renly Hall."

It is almost tit-for-tat with the criticism, and the praise is also higher than the wave, and each of them is an absolutely authoritative media. The scenes where film critics do not back down and confront each other are brilliant. It is not uncommon at the Berlin Film Festival, but for this year, it is the first time in history. A "transcendence" that thoroughly brought the film festival to life.

Amid all this commotion, the "Hollywood Reporter" appeared last.

As a top authority in the industry, the "Hollywood Reporter"'s business ability and public opinion guidance are unparalleled. Michael Phillips attended this year's Berlin Film Festival as a film critic representative. His views, opinions and opinions are undoubtedly It is important, and it is also a heavyweight in the direction of film criticism.

This time, Michael once again continued his admiration and love for Renly.

"Renly Hall, it's Renly Hall again. Whenever we marvel at the heritage and strength of this young actor, he can always deliver amazing performances again.

In the work of 'Transcendence', there are too many praiseworthy parts of Hall, solid acting skills, accurate emotional transmission, deep core interpretation, and moving ideological resonance, but his most outstanding part is It lies in the complete performance: it not only presents all the origins and transitions of the character, but also presents Henry Bart in a three-dimensional and vivid manner, and the whole character is distinct and complete; it also successfully connects the whole story and presents the flow of the plot. In front of the audience, and then shocking after the viewing. "

The simple language did not conceal Michael's excitement at all. On the contrary, these simple words revealed his unparalleled excitement. You can even imagine how excited he was when he wrote the above words.

"But before we go any further into Hall, it's worth talking about another central figure in the work: Tony Kaye.

People are either madly in love with this work or madly disgusted by it. But no matter what point of view, no one can deny that the emotions contained in this work are so heavy and sharp, the powerful energy unreasonably breaks the audience's defense line and smashes into the heart, whether it is like or dislike, in an instant It became extremely strong and dense.

That's exactly what Kaye was trying to do. In his previous works, it has always been the case, the cruelty and madness of reality are vividly displayed in the audience,

Even enough to cause strong psychological discomfort. Not a visual shock, but a heavy blow to the soul. This time, Kaye did it again.

In the education system, family education and school education are the areas of general concern, but "detachment" puts forward a third point: social education. The positioning and guidance of education by society is to a certain extent a more powerful force, squeezing families, squeezing schools, and then squeezing teachers and students. In the huge social machine, the power of individuals is undoubtedly small—

The characters in the movie, every character is trying to resist. However, their resistance was really too weak. At the end of the film, Kaye gave a hopeful and bitter ending:

Henry and Erica are reunited. Henry and Erica, who have lost their family and have nothing, rely on each other. Henry gave Erica a future and planted a seed of education in Erica; however, the school But annihilated, like the collapsed House of Usher. Does anyone remember 2009's 'Doomsday' because of this work? "

Michael analyzes "detachment" in depth, once again complimenting Tony's experiment, and then the conversation turns and returns to Renly again.

"In the work of 'Transcendence', Kaye pinned too many ambitions, and these ambitions all settled on the hero Henry alone. If the wrong actor is chosen, then this may just be a 'Lolita' ' type story; but luckily Kaye chose the right cast.

Hall chose a fun and simple way of acting, which is really intriguing. He strips away the sadness and pain contained in the story itself, and instead brings the character with an almost walking dead numbness and stiffness, which is created at the beginning of the film. There is a cold sense of alienation that shuts out all the audience from afar.

However, this seemingly paralyzed image just shows Hall's profound performance skills. The information revealed by his eyes and movements is like a cloud of smoke, always lingering at his fingertips, as if dragging the string of a kite. Generally, it gently pulls the audience's attention, keeps a distance, but can't get rid of it. The deep loneliness is hidden in the confusion, and a single emotion is interpreted at different levels.

Along with the progress of the story, Hall's deciphered and layered performances dig out the deep meaning of the film bit by bit. More importantly, the helplessness and helplessness under the background of the whole era are reflected through personal story experiences, and then extended to schools and even society, leaving a thread of reflection in the minds of every audience, as to whether it is not. Willingness to pull out the thread and how to pull it out depends on the individual audience.

Hall's performance is reminiscent of 'There Will Be Blood' Daniel Day-Lewis. The difference is that Lewis goes into the abyss of madness, while Hall carries on with the darkness on his back. "

The above is Michael's film review for "The Hollywood Reporter", which is full of Michael's preference for Renly. Not only that, but at the end of the article, Michael also emphasized again, "I like Hall's performance in 'Transcendence'. The audience can go back and watch his performance in 'Crazy in Love', which is delicate and complex, rich and full, full of spirituality but down-to-earth. people are afraid."

In the midst of the uproar of competition in the awards season, Michael, who is far away in Berlin, still did not forget to send an assist. This pursuit is really too rare.

In the end, Michael gave a score of "3.2/4", which is not shocking, at least not as exaggerated as "screen", but it is still the highest score of "The Hollywood Reporter" at the Berlin Film Festival so far. This is without a doubt the best summary of Michael's point.

As Michael said, love it or hate it, but what is certain is that the emotion brought by the film "Transcendence" gave every audience a heavy blow, and even caused strong emotional discomfort, so that the formation of The two viewpoints with clear standpoints have pushed the work itself to the pinnacle of controversy.

In the end, after the premiere of "Transcendence", fifteen media commented, and the film's rating came to "2.3/4".

With a perfect score of 4 points, it is only 2.3 points. Among the works that have been released at the Berlin Film Festival, it only ranks fourth behind "Battlefield Wizard", "Barbara" and "Just the Wind". After this, there are still many excellent works that have not been released. Obviously, the extremely positive and extremely negative evaluations have put "detachment" in an awkward position, but this is just the beginning.

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