The Greatest Showman

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Dance alone, sing alone, live alone. In the world of unrequited love, in the world of secret love, everything is just a story of one person; this is stupid, this is helpless, this is very lonely, this is very painful... I know all this well, but still Unable to control the surging emotions in his heart, bitter and crazy, confused and happy, even if he just stares at each other, even if he just waits by the side, he still begins to sink uncontrollably.

I love him, I love her.

This is like a magic spell, forcing himself to madness step by step, even at the cost of moths to the flames. No resentment, just bitterness; no anger, just dazed; no tears, just loss; no earth-shattering, just singing alone; no ups and downs, just surging... But the emotion of unrequited love and secret love is so delicate and abundant, but So moving and beautiful.

There are no fancy movements, no exaggerated methods, and even the expressions and eyes are not too much modified, stripping all the burden of performance, returning to the basics, a clean, pure, simple, sincere and direct singing, all the The weight is placed on the graceful and moving melody, but it burst out with amazing performance power——

A look, a smile, a drooping eye, a stare, a footstep, a trembling, a standing up... Every movement is simplified to the extreme, but it hits every node just right, perfectly combining the lyrics and the melody Up, so accurate, so profound, so ingenious, that delicate and real emotion hits the audience's mind again and again, before the brain can react, the shock has already surged, almost suffocating.

The stage, the small open space in front of you is a stage, and Renly stands on this stage, shining brightly!

Nathan opened his mouth wide and looked at Renly with a stunned expression on his face. Tears had already blurred his vision, and the whole world had disappeared into a haze; but he was still reluctant to look away, and he didn't even dare to blink. He was moved. Emotions were rampant in his chest, and he completely lost his armor and armor, and was defeated. He stood in a daze, unable to move.

Even during the filming of "My Anti-Cancer", Nathan never felt such direct, fierce, and real emotions. His brain was completely disarmed and surrendered. submerged in it.

Not only Nathan, but Roy's eyes widened as well, with a gleam of admiration in the bottom of his eyes. The amazement in his heart was wave after wave, and he couldn't help but want to applaud. To lose control. Now Roy finally understands why the theater audience is always keen to applaud, because the shock that hits the face can't be vented at all, and applause is the only way.

Renly is an excellent actor, and Roy agrees very much; however, Roy's inner wonder deepens every time he sees Renly perform.

Tonight, Roy really understands what "college origin" means, "crazy in love", "detached", "buried alive", none of these works can really capture the essence of Renly's performance - at least the performance The essence of Pai's acting skills is that only when you truly stand on the stage, can the free, flowing, full and delicate performance be brought into full play. Without any modification or adjustment, it is like a stormy sea that makes you breathless.

"So, how does it feel?" After the performance, Renly jumped on the spot gently twice, relaxed his muscles, looked at Nathan and Roy with a smile, and cast a questioning look.

Roy and Nathan were both stunned: one second was immersed in the emotion of "being alone", and the next second Renly was back to normal? This...is this too comfortable? The two characters are worlds apart, but Renly made the switch so lightly? This is really incredible.

Without getting a reply, Renly shook his hands and chuckled, "It seems that the basic skills have not been polished for a long time, and the control of some details is not very good. Let's take a look at the playback!" Renly moved his shoulders and was picky. Concerned about his performance just now, "Fortunately, this is not a real stage. We can still watch the replay and make adjustments at any time. If we were on stage, it would be an accident." Renly still had the mind to joke, Nathan's jaw couldn't be pushed back.

This is true expressive acting, not even "detachment". This is a performance that completely returns to the stage. Although there are cameras in front of him, Renly is paying attention to the two audiences, Nathan and Roy. unfold the performance.

When standing on the stage to perform, the actor's brain must remain absolutely awake, and he must clearly know what he is doing and where he is in the rehearsal. out each node.

Take the song "Single Shadow" as an example, when to move, when to face the audience, when to turn away from the audience; when to be bitter, when to be sad, when to suffer; when to pause, when to breathe, and when Explosion; more importantly, every node must be completely in line with the melody and lyrics, even if it is only staggered by half a second, then the actors must make adjustments.

During the entire performance process, the actor's personal emotions and the character's emotional struggles are separated, and the performance tasks are completed with precise and meticulous control from an objective and calm perspective.

In the method style acting, Epani's emotions may completely burst, and even fall apart, and can't be recovered; , and love

Threads may also evolve into countless possibilities.

But on the theatrical stage, this is not allowed.

As a result, the stage is very broad and the distance is too far away. Those complex and delicate emotions cannot be captured by the audience at all, but will cause the performance rhythm to become procrastinated.

Second, after the actor is too immersed in his own emotions, he can't take it back, so what about the performance of the next scene? During filming, actors can leave the camera, take a deep breath, relax, and regain their state, but on stage, there is no time and no space.

Third, the emotions of the actors must be in line with the lines, melody, lyrics, and the rhythm of the entire repertoire. Outbursts are allowed, but they must also be controlled within a reasonable range. Because the drama is a whole, the loss of control of an actor may affect the symphony orchestra performing live, the actors in the opposite play, the handling of stage props, and the performance of the actors in the next scene.

This is also the core meaning of expressive acting. It takes away the actor's resonance with the character, and just understands emotions, expresses emotions, and presents stories. Through the skill and depth of their own acting skills, they cooperate with the plot and the stage to achieve shocking effects. Control, throughout the performance, ensures that the actors know exactly what they are doing and what they are going to do.

It is precisely because of the deep bond between the actor and the character that after the performance, Renly quickly got rid of the influence of the character and returned to normal.

Of course, that doesn't mean actors don't need to interpret characters. The character interpretation of expressive acting, as well as other preparations, were all done before going on stage, rehearsed over and over again, deeply imprinted in the body and brain.

People always say that the core focus of expressive acting lies in one person with thousands of faces. An actor can accurately and vividly show a thousand roles, and the actor will still not get caught up in them. The core meaning of method acting is to care about one person. In one corner, he was deeply trapped in a role and couldn't extricate himself, and even went crazy.

Tonight, Renly exemplified this vividly.

In the performance just now, Renly has no character attributes, it can be Epney's "Alone", it can be Marius' "Alone", or it can be Jean Valjean's "Alone", that kind of unrequited love. The bitterness and loneliness of the show applies to everyone, and this is a universal way of performing.

However, in the theatrical performance, the characters also have their ins and outs and unique attributes, but Renly's memory of the detailed plot of "Les Miserables" is somewhat vague.

What kind of interaction did Epane have with Marius before she sang this song, what kind of inner hurt and regret it brought; and after singing this song, did she choose to sacrifice herself and fulfill the horse? Lu Si's revolutionary career still chose to conceal the news of Cosette's departure and was selfish in love for a while. Renly can't remember these details, after all, the last time I watched "Les Miserables" was four years ago.

In fact, these differences in story lines will inevitably lead to differences in characters and performances. To give a simple example, the last lyric, "I love her/him, but it's just wishful thinking", whether it decides to sacrifice oneself and become enlightened, or decide to take risks and be selfish, the emotions interpreted must be different.

Renly isn't sure now whether he should add or subtract in today's audition tape.

The meaning of the addition is to make Epani's role more prominent, and to sing it from Epney's point of view, then the song will be more sad and vulnerable, not only because Epney is a woman, but also because Epenny's life experience since childhood. the impact.

The meaning of subtraction is to weaken Eppenne's attributes, to sing from the perspective of Jean Valjean or Marius, and to interpret this "Single Shadow" as a unique adaptation, proving that he can play different roles. But this will weaken the appeal of the song itself.

So, as Renly just said, luckily today he can find the best rhythm by watching the replay and then performing it over and over again.

Walking forward, Renly took the camera off the tripod and started playback. Nathan and Roy also came over to watch the performance again.

"Is this my illusion? Why do I feel like watching on the screen, it doesn't feel the same? I still like the more direct performance just now." Nathan's question, but expressed Roy's heart, and also said The difference in Renly's performance.

"The difference between a stage and a movie," Renly said simply, then shook his head slightly, dissatisfied with the performance just now, "Do it again."

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