The Best Entertainment Era

"it has started!"

Fernand has read the "Bourne Trilogy" novel for many years, and he is a hard-core book fan. He quickly concentrated his energies after seeing the titles of Embassy Pictures and Shahai Entertainment appearing on the big screen.

Book fans have been looking forward to the release of "The Bourne" in the past month. This is one of the best ways to commemorate the author.

"I would like to commemorate Robert Ludren, the father of modern political thrillers."

The words that appeared in the trailer were once again marked on a separate screen on the big screen, which made the fans very satisfied.

Ordinary movie fans also think this method is good.

Lal is a little policeman, and in order to watch the premiere tonight, he changed shifts with his colleagues.

In the first two rows of the theater, several older film critics, such as Kenneth Turan of the Los Angeles Times and Todd McCarthy of the Hollywood Reporter, are also nodding their heads, Ronan Anderson, a young man Very good at doing things and knows how to respect seniors.

Salute at the beginning of the film.

Those young people now have their eyes on their foreheads, and they don't want to think, if it weren't for the struggle and hard work of their older generations, could Hollywood have the current situation?

The film officially began soon, the camera came to a vast ocean, and an object that looked like a human shadow was floating on the sea.

This is the protagonist in the film-Byrne.

When a fishing boat that was also in this sea area found Bourne and rescued him, Bourne found that he didn't remember anything, even who he was.

It is precisely because of this that when he set foot on the port of the pier, all mysteries must be solved by Berne himself. Why did he have two shots floating on the sea with the waves, and the truth will be revealed as everything becomes clear.

Although Bourne had lost his memory, his instinct as an agent helped Bourne smoothly sort out his clues.

After that, I met Mary, a strange woman. The appearance of this person played a vital role in Berne's life. Mary was born and died just like Berne.

And Mary is different from Byrne, through her own woman's nature, sometimes she may not need the "special agent plan" drawn up by Byrne for herself to help him get the information he needs.

As the film progresses, why Bourne floats in the ocean, what his identity is, and who he is, these mysteries can only be answered by Bourne himself.

This is a film that is completely different from the past special agent films, but it follows the common characteristics of wonderful films, such as compactness, suspense that attracts people to watch, and the protagonist full of unique charm. All these make people feel the same. Kind of fresh stimulation.

There are also action shots. The shots are so sharp and realistic. Byrne's several shots are clean and neat, just like real...

Lal is just a movie fan, but he didn't realize that these were brought about by Paul Greengrass's editing and shooting style.

Fernando didn't realize this either, but he could see that the film is much more adapted than the novel, and even the main line of the story is about to deviate from the original.

However, no one expressed dissatisfaction with him or the members of other book fan associations around him, because the film was made so well.

Because movies are more intuitive and exciting than novels!

In the description of the novel, there are also descriptions of Byrne's battles, and there are also descriptions of these professional agents who can use daily necessities as weapons.

But looking at the text description, where is Matt Damon in the film so exciting?

Resident agents in Rome, Hamburg, and Barcelona were summoned one after another with only one purpose-to kill Berne.

When the professor came on stage, the two super agents showed what a smarter and wiser killer is.

In a battle of wits in the wilderness, the audience once again saw the battle of wits and courage of agents without any special effects.

It's completely different from the style that relies on high-tech equipment, but it conforms to the consistent pattern of Hollywood commercials.

It not only allows the audience to rush to freshness, but also does not exceed the audience's appreciation of beauty.

The professor who is good at sniping has already cut off any communication system in Burne's residence. When Burne realized the seriousness of the problem, Mary's panic did not interfere with him in the slightest.

At this moment, he is separated from Mary, and Mary's life is guaranteed. How to protect Mary's life more safely reflects the instinct of an agent at this moment.

Let a car explode, and the dense smoke can completely block the snipers from the commanding heights in the room.

In this first contest, the professor cut off Bourne's way of communicating with the outside world, and Bourne responded with a beautiful defense.

After that, he moved to the jungle, where the professor was hidden among the bushes.

Byrne shot into the sky. At first, many viewers were puzzled by Berne's move, but when the birds flew up in the bushes, everything had an answer.

It was this "fatal shot" that allowed Byrne to catch the professor in the dark.

At this time, the professor asked Berne in the simplest way-a headache, fear of light.

Everyone is actually the same.

It seems that killing the professor is a victory, but Byrne, as an agent, is as described by the professor.

The whole battle was not fierce, and there were only two people directly involved, and there was no special effect rendering, but the adrenaline of all the audience soared, and the watching was extremely nervous.

"Go back to the basics!" Kenneth Turan couldn't help but admire: "There hasn't been such a good-looking spy movie in years."

Todd McCarthy next to him agrees: "Handheld shooting, action design, plot expression, character creation, and camera shooting are all the best choices."

He said directly: "I will give him more than 80 points of praise if I don't read the end!"

Kenneth Turan nodded slowly, seeming to agree with the old friend.

It's been a long time since I saw such an attractive commercial movie.

Matt Damon, the actor chosen is really good, I heard that this is the candidate chosen by the producer Ronan Anderson? This young producer has a really good vision. It seems that choosing actors and directors can always choose the right one.

Kenneth Turan had a very general impression of Matt Damon before. One is not beautiful, and the other is not distinctive.

But in this film, people can see a very good acting and modeling ability-the only seven emotions and six desires of the muscular man in the commercial film are performed to the extreme!

You know that commercial films generally only need punches to the flesh, without acting skills or the protagonist’s complicated heart, as long as they scream or cry when necessary...

Anyway, the complexity of a frustrated person is thoroughly expressed. The action scene was clean and dripping, without even the usual roars and shouts. Everything started quietly and ended quietly.

Ordinary audiences find it enjoyable, and film critics think it is not as impetuous as other commercial films, and the foundation of word of mouth has been laid.

The final scene was so wonderful that many audiences were nervous and almost held their breath.

At the moment when Agent cia carried a submachine gun and rushed up the spiral staircase, Byrne held a pistol and used the fattest corpse as a cover. He jumped from the top of the building and shot the killer who was rushing up the stairs in midair.

After that, he landed on the corpse as a buffer, so that his life would not be in danger. The price of doing so was that Byrne himself was injured in many places.

This kind of realistic tactics is obviously completely different from previous spy films.

In the alley outside the building, Conklin’s boss Albert’s killer has been loaded and is ready to be in place.

The camera keeps showing shots of Byrne staggering and leaving the alley, which makes people feel nervous, thinking that Byrne may be worried about his life.

But as the camera turned around, Conklin stumbled out, and was shot out by the gunner who had been waiting for a long time. This relaxed narrative method greatly mobilized the audience's participation and achieved great results.

120 minutes of rendering with almost no special effects came to an end after Conklin was killed.

At this moment, the life and death of Byrne seems to be less important, but is it true? Obviously not.

Because there are still too many questions unanswered.

Conklin's death, which seems to be the dominant behind-the-scenes, is an end, rather than the collapse of the "stone stepping plan".

This is just a case of failure of the CIA, and a bigger man behind the scenes came into being...

The following plot has begun to pave the way for the sequel, and the non-flashy spy operations seem to come to an end, and Byrne also reunites with Mary, who opened a shop by the sea.

The seemingly happy ending, obviously has already extended the plot of the next one.

Because it couldn't be more obvious-Bourne returned to his lover, but Bourne's memory was obviously not found, or not completely returned to Bourne.

Byrne's identity is an agent, what is his true identity?

There is no conclusion in this movie. The only conclusion is that Byrne is a CIA agent.

Anyone who is familiar with Hollywood movie routines can see that the sweet time of Byrne, who has escaped, will not be too long.

Before the film was over, Todd McCarthy quickly summarized "The Bourne" in his mind.

First of all ~www.wuxiaspot.com~ the plot is wonderful, the plot design is reasonable, and it is absolutely top-notch in commercial films, full of elements that mobilize viewers to think.

Secondly, the rhythm and shooting skills are used reasonably and appropriately, with Zhang Youchi, all under control!

Then, the actors perform professionally. Excluding emotions, emotions, and character traits, the strength and IQ performance of agents and spies are particularly good. These are very attractive!

At the end of the film, there was thunderous applause. I don't know who stood up first and drove the people around to stand up. Then the audience stood up one after another, sending the warmest applause to this wonderful film.

Rarely, even die-hard fans of "Bourne's Identity" are not dissatisfied with the adaptation of this film.

Fernando believes that not only did this film not ruin the classic secret agent novel, but it was so compact that every nerve in the whole body was refreshing.

With prolonged applause, Tom Cruise reminded: "Ronan, take people up to the curtain call."

After all, Ronan had no experience in this area, and hurriedly greeted the chief creative staff of the crew to come to the stage before the screen.