Superstars of Tomorrow

New century 532, January 1st. New year, first day.

Silver Wing Headquarters Building, within the fifty floors.

Pang Pusong was a little nervous. He actually didn't know how well he sang, because when the third movement was recorded, Fang Zhao's requirements were even stricter than the previous one. In the past month or so, he has been practicing every day. Sometimes it may take a week or two to sing a good sentence. He has never heard the final product of the recording, so he can only wait for the official release of the MV.

Not only Pompson, but the entire virtual project department is nervous.

After the release of the second movement in November, I finished my vacation and worked overtime for more than a month. The second movement determines whether they succeed, and the third movement determines how far they can go.

Having tasted the sweetness, they will put pressure on themselves without Fang Zhao saying much. When you are tired, go to the game room to relax, then take a nap, wake up and catch up with work.

Silver Wing has specially set up a spare technical team, just to help them when they can't do it. Therefore, they don't worry about funding, manpower, or treatment. They just need to complete the tasks assigned by Fang Zhao earnestly. They didn't know what the final product would be. The only thing they could do was to trust Fang Zhao, the project leader.

"Where's Da Zhao?" Zeng Huang was woken up by the alarm clock and asked Zu Wen when he came out and didn't see Fang Zhao.

"In the office." Zu Wen said.

"Didn't everyone go back yesterday?" Zeng Huang looked into the studio and asked, seeing that everyone was there.

"No, how can I sleep." Zu Wen yawned, went to wash his face, then went back to the studio and sat down, together with other people in the studio, waiting for the arrival of eight o'clock.

They didn't bother Fang Zhao, they could clearly feel that Fang Zhao was not in a good mood during the production of the third movement, just like an actor immersed in the play, it needs a process of detachment, an emotion has been immersed in The creator of the music probably needs time to get rid of the emotions that are deeply trapped in it.

Therefore, what Zeng Huang and Zu Wen can do is to do what they are doing well, and don't let Fang Zhao worry about it.

In the rookie department, when Chu Guang saw this month's publicity schedule, he was quite calm about Aurora being the first pick.

In the list of the last quarter of last year, he had already been squeezed to the fifth position in the new striker list. It is fortunate that the third movement was not released in December, otherwise, he would not be able to keep his fifth position.

Now, after "God's Punishment" and "Broken Cocoon", the third movement "Mission" will be released on the public platform soon, and I believe the quality will not be bad. But what makes Chu Guang puzzled is that Niguang Culture and Lushan Shihua seem to have no intention of continuing to compete with Aurora. profound.

Is this giving up the competition for the rookies?

In any case, for Chu Guang, the loss of two virtual idol competitors is a good thing.

On the top floor of the Silver Wing, Duan Qianji and several other Silver Wing executives used the video and audio equipment in the conference room to watch the MV of the third movement after it was officially uploaded. Among these people, only Duan Qianji had heard the music of the third movement , I've seen the completed MV, and it's the first time I've seen the others.

Everyone in Silver Wing, whether they were singers or actors, or people from other technical departments or logistics departments, those who had already arrived at the company, or those who were still on the bus, were all paying attention to what happened at 8 o'clock in the morning.

Fang Zhao was alone in the office, drew the curtains to block the sunlight outside, turned on the video and audio equipment, and played the MV of the third movement when the platform was updated at eight o'clock.

The third movement is different from the music style of the first two movements, which first suppresses and then rises. From the very beginning, the expanded orchestral coordination is used to release a magnificent momentum with an obvious epic style.

In the MV, this is a period of real conflict. The picture inherits the darkness of the second movement period. The opening scene is a blue with a sense of desolation as a whole. The sky is full of haze, and there are lightning flashes among the thick clouds.

There are many figures running on the ground, and the rapid drumbeat perfectly reflects the tense rhythm at this time. Among the fast-paced drumbeats, the chorus dominated by the familiar male voice combined symphony and opera techniques, and combined with some styles that are more acceptable to people in the new century, showing a kind of primitive wildness and attack sex. As the picture progresses, the momentum of the battle between the two sides unfolds from a wider field of vision.

Under the horrified crisis everywhere, the high momentum rushed straight.

A figure jumped up high, like an eagle piercing through the clouds, and the branches of each branch formed a muscular shape with distinct lines. With just one glance, one could feel the terrifying explosive power contained in it.

The falling body kicked on the side of the wild beast in front, and the fist pressed down like a polished rock, smashing fiercely at the throat of the wild beast.

Under the exploding drums and weird electronic sounds, the human ear seemed to hear the crisp sound of bones breaking.

That is not the sound made by musical instruments, but the sound that people hear in their hearts under the "hint" of images and rhythms.

In the image, the splashed mud stars shot around with blood and water, some of which splashed on the tree man's face and around his eyes, which made people watching the image notice his eyes.

Those were a pair of murderous eyes, like a furious ferocious beast awakened from a deep sleep.

Those who saw this scene seemed to have been touched by a pair of hands, and their bones trembled. They may even wonder whether it is those ferocious wild beasts that are mad, or these treants who were once peaceful and harmless to insects and birds?

This kind of change didn't just happen to the figure in the front. There were many, many figures with the same murderous aura beside him and behind him.

The variation blown by the expanded brass pipes makes the melody played by the harpsichord more majestic and powerful, and the violent timpani represents unyielding resistance.

Comparing the appearance of these tree people in the first movement, you can find the difference in them. From the appearance to the momentum, there have been huge changes.

This is the real state of adapting to the battlefield and adapting to this period.

They chose to become what they least wanted to be in order to resist this cruel and absurd fate.

Just as Yanzhou's followers of the "One Hundred Years of Destruction" series expected, the third movement is a theme of struggle.

The brass and woodwind variations with the nature of a march, and the alternation of violent rhythms, such as the confrontation and fighting between the two sides, are tense and fierce, not weaker than the momentum of the first two movements. The sound is perfectly combined, which is a direct impact on the soul.

In this bluish and dark background color, there is a fierce collision between the transformed trees and the brutal beasts.

Even though it is just a virtual image, it makes people feel a real, three-dimensional feeling, and a sense of vicissitudes through time.

After the transformation, the initial cowardice of the treants had already been worn away in the life-and-death fights again and again. In order to find a peaceful place, they are willing to give it a go!

From high mountains to grasslands, to basins, to hills, however, no place is a happy land, and crises are everywhere.

However, in the third movement, the compromise and resignation-like depression of the second movement have disappeared.

From timidity, to resistance, to habit and numbness to war and death. Some people leave along the way, and new partners join. Until, they finally found a relatively peaceful place - the polar region.

The polar region is cold and covered with snow, and many viruses and diseased organisms cannot adapt to the climate conditions here. Therefore, relatively speaking, this is the last pure land in this sick world.

Here, there is no thick reddish-brown smoke in the sky. Here, you can see the sunlight during the day, the long-lost stars at night, and the colorful and dreamlike aurora.

Like the temporary calm after the hustle and bustle, the sound of the music became calmer. The slightly soft interweaving of the tree flute and the sound of the piano relaxes the tense spirit of the listeners. This is a description of a peaceful life.

In this polar region, the treant group got a chance to rest, without worrying about those wild beasts with fangs that would jump out at any time, and some little treant also showed relaxed smiles. It's cold here, but it's safer, isn't it?

The running little tree man ran with a stiff smile on the snow-covered ground. When he was about to slip, he was picked up by a powerful arm with gnarled branches and placed on his tall and broad shoulders.

The picture and rhythm are warm and intoxicating.

Under such a background, it seems that a scene of stability and tranquility is about to unfold.

However, those who watched the video understood that the polar region should correspond to a period in the period of annihilation described in real history.

In the middle and late period of the era, there was a polar summit meeting. At that time, the twelve continents were not divided into twelve continents. There were only various theaters. Nearly a hundred leaders and important leaders from each theater gathered in the polar regions to discuss an all-out war.

This temporary peace is not the end, but the harbinger of the final outbreak!

The violin playing changes, like the meditation of the survivors after the war.

Although this place is not absolutely safe, compared to the area they passed by, it is indeed peaceful. However, this place is also not suitable for their growth.

Most importantly, they are no longer satisfied with living in one place!

In the new century, in many books about the history of the extinct period, a few words of the polar summit meeting are recorded. No one knows who said them, but they have been passed down.

"Why should we leave things to the next generation that can be ended in our generation? Now that we have come here, why not fight again?"

"Our generation has all become participants in the struggle and martyrs, but at least we have experienced a short period of peace, while those born in the last days have never seen a peaceful world. They are fighting in blood and fire. born in war, but they should not belong only to war!"

The things recorded in the history books during the era of the end of the world will be polished, but they are not made up indiscriminately. Fang Zhao remembered that someone had said something similar, and he himself might have said it too.

Why can't I live in the hometown I once missed?

Why, let the world go out?

We are already strong, aren't we?

In the video, a group of treants stood on the ground covered with ice and snow, looking up at the sky. The changing polar light dotted with stars is like a group of burning and flowing fires.

The increasing intensity produced by the percussion seems to emphasize a certain firm belief.

The figure standing in front of the group of trees does not have the hostility and madness in his eyes when he was fighting with the wild beast, but there is a little nostalgia and nostalgia in his calmness, as if he is saying goodbye to an old photo.

The aurora in the sky gradually disappeared, and the sky began to light up.

The figure in front no longer misses it, and turns to leave. The spine supporting the whole body on the back has many traces of tortoises. It may fall down due to serious injuries in the next moment. Except for himself, no one knows what he has endured. load.

In the team, many treants were also in the same situation, but as long as they were not seriously injured and unable to walk and run, they all joined the team that left.

In the middle of the trees, some figures who were playing with the little tree man saw the leaving team, lifted the little tree man off the body, carefully placed it on the ground, then turned and left.

A tree man lightly pressed his fingers against the young tree man's forehead to prevent the other party from trying to keep up. Then he got up and left, fist-fighting with another tree man who was also walking out, and smiled silently. Don't look back, because if you look back, you may not have the courage to leave.

The little tree man who stayed in place looked at the leaving figures suspiciously, as if he didn't understand. Aren't they already safe? As long as you stay here, don't go out, it's so dangerous outside, why do you still have to go out?

More and more figures came out, joining the leaving team, leaving only those old and weak tree people who could not fight in the cold polar region. Although the polar region is cold, it is the safest place at this time.

The orchestral combination with the foreshadowing of the battle, paired with specific electro-acoustic instruments, once again created a tense atmosphere to fit the chaotic and irrational fate. In that era that no one wants to experience, cruel choices must be made.

Looking down from a high altitude, the dense figures form an endless wriggling brown and gray, advancing in the opposite direction to the pole against the background of white snow.

The exciting horn sounded, and with the strong addition of timpani, the sound intensity of the music also increased rapidly. Under the low and powerful impetus of the double bass and wind instruments, and in the compact up-fourth horn sound, the chorus advances layer by layer with the music, like a team walking beyond the polar region in the image. A large number of expanded brass groups showed the restrained madness and decisiveness of this team!

This team contains infinite strength and hope, and seems to be digging a higher and farther track.

The chorus gradually intensifies, and the picture quickly crosses the poles and mountains and hills.

There seemed to be a whirring sound in my ears, like the cold wind blowing in winter. In the image, a brown-gray figure stepped on the ground hard, leaping and rushing, and came to a wild beast like lightning, with knotted branches His strong arm, like a sharpened big axe, struck at the sternum and throat of the wild beast with unbridled ferocity.

The tendentious triplets in the ears, as violent as this explosive blow, hit the eardrums one after another.

After losing their scruples, those brown-gray figures became more unscrupulous and crazy when they moved their hands. Broken branches, scattered sawdust, mixed with the blood of the wild beast.

Gusts of violent wind blew through those brown-gray and red-brown figures fighting together, and brought up countless pieces of mud mixed with sawdust and hairy blood on the ground, making people seem to be able to smell it through the video. The fresh and strong smell of blood and sawdust in the air.

The continuous roar of timpani, violent dissonant sound, the use of irregular accents, and complicated music orchestration combine classical symphony, new century music, sacred music, elegy, military march, electronic music and other styles. The volcano that had been dormant for hundreds of millions of years suddenly erupted, and the sound waves seemed to set off a wave that could drown the world!

The theme color of the picture in the video has gradually changed from depressing blue to bright yellow, like the color of the sun piercing through the clouds, and more like the color of burning flames. The overall brightness of the picture is two times stronger than before the movement began. times! And, the brightness is still increasing!

When do trees shine brightly?

when burning.

The video ended with this soul-stirring symphony.

"MV Protagonist: Aurora

Species: Dragon Elephant Tianluo

Song name: The third movement of "A Hundred Years of Destruction" - "Mission" Producer: Fang Zhao

Production team: Aurora project team, Fang Zhao, Zu Wen, Song Miao, Pang Pusong, Zeng Huang, Wan Yue, Fu Yingtian, Stella, Zhang Yu, etc.

Production company: Silver Wing Media. "

...

Fang Zhao turned off all the video and audio equipment, pulled up the curtains, did not read online reviews, did not pay attention to the number of downloads, but got up and stood in front of the large French windows on the 50th floor, looking out the window.

He remembered the conversations of several old friends.

"What is the mission?"

"Ghost knows, it's just fighting, and suddenly I feel that I should do this."

No one has experienced it, no one knows what will become of themselves.

People may become what they hate, or they may become what they admire.

During the century-long struggle against heaven, earth, and destiny, at first it was to survive, but later, due to various reasons, many people still knew that they might not see the prosperity they expected. Will voluntarily participate in the war that burns with one's life.

Man is the real miracle of that dark age!

Fang Zhao himself participated in the Polar Summit, but eventually died in a battle in the late period of Total War, in the period described at the end of the third movement, in the Qi'an theater at the time of the end of the world, that is, the Twelve Continents of the New Century One of the centers of Yanzhou, Qi'an City.

"Goodbye, old friends."

——

At the same time, Leizhou had a time difference of three hours from Yanzhou.

Eight o'clock in the morning in Yanzhou is equivalent to eleven o'clock in the noon in Leizhou.

Today is the first day of the new year, and it is also the double-topic movie battle that everyone in the Leizhou entertainment circle is looking forward to. However, the "Radio" company said that their film "God of War" will be released at eleven o'clock sharp on January 1st.

This has made many people curious, they rarely see this kind of release at noon, and some people speculate whether this is a disguised concession?

However, in order to cooperate, "The King of Snipers" also postponed the time to show at eleven o'clock at noon.

Salo's agent has been busy stirring up topics these days. He is not optimistic about "God of War", but in order to get back his money, he has been stirring up topics with the team to make the topic hotter. There are many people who watch it, and many people watch it. Only then can they get their money back.

Seeing that it was eleven o'clock, he had finished all he could do, and whether he could get his money back was left to fate.

Refer to "Victory", "Andromeda", "Ultrasonic", "StarSky-Instrumental", etc.