Rise From the Humble

Before Mr. Sun started a new lecture, there was a link of checking homework. Zhu Pingan could see clearly from outside. Mr. Sun randomly checked a few students and asked them to come forward. Then, cover the textbook with a piece of paper, revealing one of the characters, and let them identify them one by one.

Because Zhu Pingjun and his deskmate were sleeping in class yesterday, the teacher checked their homework emphatically. As a result, Zhu Pingjun did the same as what he said at home yesterday. He only memorized four words. He clapped his hands four times. His deskmate was not much better either, remembering one word more than Zhu Pingjun, and was slapped three times.

After slapping their palms, Mr. Sun asked them to return to the table and start giving lectures.

"Yesterday I taught the eight characters of Thousand Characters, and today I will teach writing these eight characters." Mr. Sun asked the children to lay out the pens, ink, paper and inkstones, and began to teach, "Whoever learns to write, learn to write first."

Sun Lao Xiucai demonstrated while speaking, "Today, I will teach you the five-finger brushwork method. The so-called five-finger brushwork method is to pay attention to the simultaneous use of five fingers, through pressing, pressing, hooking, pushing, and resisting."

Brush calligraphy is Zhu Pingan's weakness, so Zhu Pingan listens very carefully outside.

Mr. Sun will explain carefully one by one about pressing, pressing, hooking, pushing, and reaching, and he will demonstrate twice. After the explanation, Mr. Sun will go down to correct the children's mistakes one by one, and teach them the correct grip. pen gesture.

Seeing that the children had mastered the technique of holding the pen, Mr. Sun also explained the lower wrist method, resting the wrist, hanging the wrist, and hanging the elbow. Because the children were beginners, Mr. Sun only focused on the wrist hanging method.

"The most important thing in practicing calligraphy is to persevere. You have to practice with your heart. You can naturally practice your calligraphy well with your heart. Only when your heart is straight can you be straight. The power of calligraphy is at the tip of the brush. When you write, you must be firm with softness, soft with firmness, and both rigid and soft." You need to write with your muscles and bones." Sun Laoxiu is an experienced and absolutely competent teacher, who combined calligraphy formulas with his own experience to teach students one by one, and took the trouble to correct every child's mistakes.

This is the difference between self-study and having a teacher. If you learn calligraphy by yourself, you may go further and further down the wrong path if you don’t know some points to pay attention to in writing; but if you have a teacher, you won’t take detours. Get ahead of others from the start.

Zhu Ping'an was glad that he came to take lessons, and that Laoxiu Sun was a good teacher.

Children dipped in ink and brushed in the private school, and Zhu Ping'an dipped in the water outside the private school.

When Zhu Pingan was practicing calligraphy, he found that writing calligraphy is definitely not a simple matter. How to write with a brush in his hand feels awkward, and the brush does not listen to his own words, which is very jerky.

Mr. Sun just said that the strength of the four-brush calligraphy is at the tip of the pen. This sentence has a great influence on Zhu Pingan. To practice calligraphy, one must transport the strength to the tip of the brush through the pen holder. Knowing is one thing, but practicing is another. Zhu Pingan tried to hold the pen according to Mr. Sun’s five-finger method of holding a pen, and tried to apply strength to the pen tip through the pen holder, but found it difficult. Zhu Pingan couldn’t help it for a while Essentials. When I leaned against the door and listened to Mr. Sun correcting the problems of the children one by one, I discovered the secret, that is to pay attention to the posture of holding the brush, the use of wrist strength, and the height of the brush. These factors will affect the writing of brush characters. . Hold the pen high, and the distance from the strength to the nib is longer, so that the written characters have a sense of vain; hold the pen down, and the distance from the strength to the nib is closer, so that the written words are calm and powerful. In addition, Zhu Pingan himself also found out that the tightness of the brush in his hand will also affect the writing of brush characters. In this way, while practicing, Zhu Pingan listened to Mr. Sun's teachings to the children, and at the same time explored and summarized by himself, gradually Zhu Pingan entered the state.

Zhu Ping'an was much older than the children in the private school, so it was easier for him to comprehend Sun Laoxiu's explanation. When the children in the private school were still struggling with the brush, Zhu Ping'an had gone from being awkward at the beginning to slowly jerky, and he was not far from adapting.

Yesterday's naughty boy came to play again today, Mr. Sun Xiucai inadvertently saw Zhu Pingan outside the private school when he was teaching.

Seeing the chubby kid pouring water on the rocks with a bamboo tube, Mr. Sun naturally thought that Zhu Ping'an was playing and didn't take it seriously at all.

Play and play, as long as the noise does not affect the students. Old scholar Sun only took one look, and then turned his attention to his students, correcting their mistakes one by one, and even teaching them how to write.

The actual situation is that Zhu Pingan poured the water in the bamboo tube into a natural groove formed by the stone, used it as an inkstone, and then dipped the brush made by Zhu's father into the water and wrote on the black wooden board. You can't use a brush to dip water directly in the bamboo tube. This bamboo tube is a cup for drinking water.

Elder Sun Xiucai only saw the scene of Zhu Pingan pouring water on the stone, but did not see the scene behind.

Sun Laoxiu gave lectures in the private school, and Zhu Ping'an took classes outside. Sun Laoxiu talked about writing for a long time, and then began to teach children how to read. This time the lecture is not about the Thousand Character Classic, but the Three Character Classic.

"At the beginning of human beings, nature is good, nature is similar, habits are far away." Sun Lao Xiucai led the children to read it nearly ten times before he began to explain the meaning.

After explaining the meaning, Mr. Sun began to lead the students to identify each word. Zhu Pingan repeated the traditional characters of the Three Character Classic outside the private school, deeply impressed, and tried to convert the simplified characters in his mind into traditional characters one by one.

After a while, seeing Mr. Sun, he had the intention of taking a break after class, so Zhu Pingan packed up his things and walked out of the bamboo forest.

In order to avoid unnecessary trouble, what if the master doesn't like other people's rubbish, or other children see that they have other right and wrong. Thirty-six strategies, the best policy is to go.

The old cattle outside have eaten grass for a long time, and they also need to drink some river water.

Zhu Pingan hid the brush and wooden board in a hidden place in the bamboo forest, and led the old ox down the slope to the river.

Uh, Nima, why did that black-bellied little loli appear at the bottom of the slope again, who can tell me what's going on.

"Ah, little poor, I thought you were afraid to come."

The black-bellied little loli who was bored down the slope saw Zhu Ping'an appearing on the hillside, her big eyes lit up, full of provocation like a fighting cock.