In my daily writing these days, do you think it’s cool to pretend to be awesome, or do you think it’s bland?

I will read everyone's opinions carefully, consider them carefully, and reflect on how to write a book in the future.

The financial war is over for now.

There are not many new additions to this book every day, and the number of additions to the collection is also small.

No recommendation, all orders are down.

To sum up, financial articles and financial wars have a small audience and niche themes. It is easier to write in Hong Kong, but I found that the sense of substitution is not strong. If I had known better, I should have set the background in Shenzhen or Shanghai to write about the 14-year bull market. , or the time is placed in 2010 or starting in 2012.

I feel like this book always lacks some spirituality. No wonder the results are poor, because it is not enough to enjoy the book, or it may be the fatigue of the financial battle and the fatigue of making money.

I think financial literature accepts girls, they are ambiguous, and pretentiousness is used as an auxiliary and harmonious one.

Financial war and business war are the main lines. That's how cool it is.

Financial elites in reality are basically cannons in human form, pure scumbags who don't talk about love. Everyone in the financial world knows this.

Especially in the early stage, two female protagonists were set up. They let the protagonist follow the emotional line, focus on the heart, not the kidneys, keep the protagonist low-key, and did not accept other girls. I always felt that he was not a real financial person, and he did not have that unique and exciting point of hunting for beauty. No way.

The scum can't come out of the dregs.

I wrote a lot of emotional scenes with the two heroines, but I found it difficult to use the humanoid cannon.

If I had known this book, I would have pushed it forward, changed the girls along the way, and made the protagonist a pure scumbag who has seen through the world. It would have been better.

In fact, many male readers prefer this, and don’t care whether there is a single female protagonist, multiple female protagonists, or no female protagonist, and they tweet like crazy.

Female readers, and a small number of male readers, basically don’t read Harem, and they don’t subscribe. These people who like to make comments and trolls are a small part of the mainstream readers.

In the future, when writing books, you need to write specifically for the readers who are the target audience, and write about what the readers will like.

Those who like harem will definitely like to read it, but those who don’t like it will basically not read it and abandon the book after scolding it.

Also, the emotional drama of the female supporting characters should not be allowed to affect the main plot, causing the plot to be delayed and the rhythm to be disordered.

At this point, I have come to understand, and I will not make such a mistake when I write a book in the future.

It should be that after one plot is over, ambiguity, emotional drama, daily life, etc. should be used to pave the way for the next plot and adjust the rhythm.

After I finish writing this book, my next book should be a pure scumbag setting.

Most of the readers who like financial articles like to have many girls, like to be promiscuous, and like the protagonist to pick up girls from all over the place.

I think we should study the characters of the girls.

No one likes that kind of money-worshiping girl, green tea girl, and scumbag, and there is no sense of expectation if she accepts it, but if it is a young woman from a good family, it will be different.

There shouldn't be many female protagonists recommended for this book. The protagonist is too young, so it's hard to recommend two female protagonists. The timeline doesn't match. It should be written that the protagonist turns 18.

It has reached 1.3 million words, and the first kiss is still there.

This is the clearest protagonist I have ever written.

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