Rebirth of the Father of Anime

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The excitement of "Dream Eater: Blast Manga" can be expressed in comics. ( ) However, the same cannot be said for other remaining works, such as "White Box". In "White Box", there will be a coloring part of the original painting. If it is painted with black and white line drawings, people will not be able to see the original painting intuitively. It is impossible to appreciate the changes in it, so it can only be imagined.

Of course, this can also be expressed in color comics. By adding one or a few coloring assistants, He Chen can launch color comics. For He Chen, this is nothing. But in addition to color, the most important thing is sound - animation has sound, BGM sound, and dubbing sound.

Comics cannot reflect this in any way.

Just using pictures and words to make the audience think about it will never be as profound and real as hearing it with your own ears. Dubbing is a very important part of animation, and it is also a protagonist in this story. If it were just a comic, then everyone can express it, but she can't express it, and she loses the flavor of the protagonist.

Another example is "k-on". As a comic, it can only be regarded as average - because the comic has no songs. Although "k-on" shocked the world with its "cuteness", the songs in this work are... A very important plus point, this is one point where the animation completely outshines the manga. It can even be said that if there were no animated version of "k-on" and those songs, there would be no such cute overlord "k-on" in the future.

Therefore, the remaining works in the "Dream Eater" series ("Shirobako", "K-on", "", "The Idol Master") are all animated first, and the planning of these movies is even better than that of " "Dream Eater: Blast Comics" was planned earlier - because there is growth in these stories, whether it is "K-on" or "The Idol Master", if the newcomers hired by He Chen are trained first, they can then "act" "The green effect of newcomers, even if they can achieve the master level of Yi Jingshu's ease, is far inferior to the ignorant recording they did when they were newcomers - no matter how they perform, it will not be the same. It is impossible to be more like a newcomer than a true newcomer. ( )

Therefore, the dubbing of several works started before they had undergone systematic training. For example, Shizuka Sakaki in "Shirobako", the dubbing she performed when she applied for a dubbing job as a newcomer in the story was He Chen's newcomer. The newcomers selected in the plan will perform in their true colors after only receiving rough training in the early stage. They will dub this part in the early stage, and then after the training, they will dub the previous parts in turn, so that they can easily show a kind of character. The feeling of growing up.

The same goes for everything else.

The cost of this is very high, and the price is very high. Most people will not spend a lot of effort to do such a dispensable thing in order for a work to appear "real". But for Tianman, it is not difficult - because Tianman has its own university,

There are excellent talent reserves for them to choose from, a mature training system, and a large number of works for Tianman's newcomers to practice. If they want to achieve He Chen's goal, Tianman can do it without any effort.

And this is Tianman’s unique and unique advantage over everyone else. If you have an advantage, you won’t be punished by God. What reason does He Chen have for not making such a “perfect” work?

Animation, animation, animation and comics, the two have always been inseparable. One "Dream Eater: Bakuman" tells the story of the comic, while the other "Dream Eater: Shirobako" depicts the story of a group of animation practitioners who are almost never paid attention to behind the scenes.

Since they are both part of the "Dream Eater" series, the theme of "Dream Eater: Shirobako" is naturally dreams.

This is a shallow and broad theme. However, the great thing about "Shirobako" is that it does not tell the story of chasing dreams and realizing dreams in a single thread. Instead, it explores and promotes dreams from multiple aspects in this group drama. This big concept.

The five protagonists actually represent five different realistic dreams: Miao Sen is a person who longs to make animation but has no obvious skills. Although he is already engaged in the animation industry, he has no clear goals. He sees that everyone around him has Ema often feels confused when dreaming; Ema has the talent and dream of painting, and has indeed become an original animator, but she has encountered many practical difficulties at work and has been stumbling forward; Shizuka has always been determined to be a voice actor. Although he entered the office, he has never been able to make his debut, but he is still pursuing his dream tirelessly. Although Misa is engaged in the 3D production job of his dream, he finds that the monotonous work day after day in reality is different from the original job. The idea is contrary to the idea; Xiaolu, who has not yet graduated, is the first beauty, the most ideal prototype stage of the dream, and is still excitedly holding the longing for the future in front of the gate - although the five heroines are holding hands and holding the common dream. The trees are big trees, but their actual situations are different, representing the different situations that everyone actually encounters when chasing their dreams in reality.

There are two story lines in "Shirobako", one bright and one dark: the bright line is the pursuit of their own and common dreams by the five members of the high school club, while the dark line is the various situations in the animation industry that are implicated in the production of Tianman's two animations. .

Tianman still advertises itself, and uses the name of Tianman without shame. It is obviously a giant in the industry, but in the story, it is just a second-level small company lingering in the middle and lower reaches. Tianman is the founder, pioneer and leader of this industry. Speaking of itself, the stories that happened in the story will never happen to Tianman - the system is too complete, and even if problems arise, there are mature people. Emergency Remedies. Therefore, Tianman’s animations never have problems like this. However, Tianman has created a story that countless small companies have experienced to one degree or another.

For those small companies that are still struggling with dreams in their hearts, the significance and touch of this work to them is self-evident. Although they do not appear in this story, for them, this work is Describing their stories.

On the surface, the story of "Shirobako" looks relatively warm and simple, like an idealized utopia, but it also reflects the reality of the industry. These individuals each have their own persistence, and it is difficult for them to simply distinguish the conflict between right and wrong values. How to compromise reality and dreams, how to choose ideals and survival, everyone faces similar questions and has different answers.

Compared with young people, those who are a little more mature, especially those who have just entered society, will have more feelings about this work. r1152

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