Rebirth of the Father of Anime

"Pay attention to Jingxiang's eyes and expression. After opening the door, she scanned the room first. First, she confirmed the number of people in the room and the escape routes in the room if an emergency occurred to ensure her own safety. This It's a normal reaction for a cautious girl. If she's as heartless as Xiaokui, she'd be the kind who would run in carelessly and help count the money after being sold."

He Chen looked at the route and analyzed the details bit by bit that they had not paid much attention to before, and even he himself had not paid much attention to. Looking at her own route and having to be analyzed by others, Sakaki Shizuka's mood was very subtle and embarrassing. She always felt uncomfortable and kept twisting her body.

Gong Morikui glared at He Chen angrily: "You are the one who is so heartless!"

He Chen smiled, ignored her, and then continued his analysis: "Ema, pay attention to Shizuka's hands."

After hearing He Chen's reminder, several people immediately focused their attention on Shizuka Sakaki's hand.

Miyamori Aoi exclaimed: "Shizuka's hands are so beautiful!"

"..." He Chen stared at Miyamori Aoi with desperate eyes, staring at Miyamori Aoi from leaning forward to watch the video next to He Chen, to shrinking her body behind Shizuka Sakaki.

Ema Yasuhara looked at it for a moment, and then said: "Are you talking about Shizuka's bag?"

He Chen looked at Ema Yasuhara with a look that said "there is still hope". The little angel Ema blushed again. He Chen nodded, pointed at the video and said: "Look at her, from the time she walked in to the time she sat down, her bag was always there. The side of me that is within reach. Because when you come to a strange place, familiar things can make people feel at ease. Another point. I think there should be some anti-wolf equipment in my bag. "

The person he wanted to meet saw through him on the spot. Shizuka Sakaki felt like she was being stripped naked. This was the most embarrassing and embarrassing situation she had ever been in, but when she saw her companions looking at her, she had to prove what He Chen said, so she smiled dryly and confirmed He Chen's statement.

"Oh! It's true!" Shizuka didn't notice that behind her, Aoi Miyamori had opened her bag and took out an anti-wolf electric stick, anti-wolf spray, and even a paper knife...

Every time she took out one piece, Miyamori Aoi let out an exclamation.

Shizuka Sakaki blushed as if she was about to bleed. He let out a cry of "Oh" and threw Miyamori Aoi to the ground: "Don't take it out!"

He Chen took out his cell phone and prepared to take a picture. Imai, with quick green eyes and quick hands, immediately confiscated He Chen's cell phone, wagging his finger and said to He Chen: "Teacher He Chen, this is very bad!"

He Chen smacked his lips,

He wasn't prepared to make them like it. Looking at that "beautiful" scene, he couldn't capture it. The camera was also watched eagerly by Imai Midori, and He Chen felt very regretful.

"Teacher He Chen. How did you guess it?" Misa Toudo asked He Chen curiously.

"Does this need to be guessed? Isn't it common sense that every girl should have at least one?"

Misa Toudo fell silent and squatted in the corner, her whole body filled with sadness.

"Comics and animation are all paintings, which use subtle facial movements and eye expressions to reflect the character's mood. The requirements for the painter are very high, and few people in the entire industry can do it. After all, the limit of what people can depict is The limit of what the human eye can distinguish, but the subtle changes that people embody are far beyond the limit of what the human eye can distinguish. The upper limit determines that the paintings people draw can never be more real than reality." He Chen continued said to them.

"But aren't there many people whose paintings are real and can be mistaken for real?" Midori Imai objected to He Chen.

He Chen gave Midori Imai a hand knife and said: "Pay attention to my words, I said 'activity', that is, change! For the realists, there are many people who are good at painting, but without exception they are static pictures. What is captured is the characteristics of the static state. Animation is a moving painting. It is not just the movement of the character, but also the subtle linkage reactions produced by the movement of the character. To use a shadow as an analogy, in In animation, what do you think will happen if all the shadows remain the same when people are moving and do not change according to the character's movement, camera movement, or light changes?"

"It will be very, very awkward." Miyamori Aoi thought for a while and said.

"This is the sense of disobedience." He Chen said, "Because it makes the audience feel awkward and unable to substitute, it is commonly known as the painting collapses. And this sense of substitution relies on these details to show the audience. Human Facial expressions are too rich, especially when moving. The difficulty of painting caused by subtle expression changes increases exponentially. Therefore, in order to highlight emotions, exaggerated emotional expressions are mostly used in painting. The more exaggerated the movements and Changes in expressions will focus people's attention on the exaggerated parts, thus ignoring the subtleties and intensifying the emotional expression, thus forming a unique exaggerated expression mode in animation and comics. The most obvious example is the eyes, movies In the story, you can rely on the acting skills of the actors to express these details. Although these stories are all performances, the details of the performance can rely on the acting skills of the actors to achieve a 'real' state. Painting, changes in eyes, especially subtle changes , the difficulty is very high. Even if you have the ability, you will not be able to draw it in animation and comics - the workload is too much. Therefore, most of the shots related to eyes in the animation will pass quickly, and the places that need to be close-up are basically Shangdudu also gives people an 'empty' feeling, and changes will only be reflected in superficial ways - because it saves money and workload."

"Do you know "eva"?" He Chen asked.

Several people nodded fiercely. As practitioners, they all had respect and admiration for the old ruffian master. Todo Misa was even more excited and told He Chen about the Duang, Duang, Duang Unit 1.

"There is a scene there. When Rei Ayanami was rescued by Shinji, she said to Shinji, 'I don't know what expression to use now.' Shinji said, 'Just smile.' So the smile shown by the goddess Ayanami. This classic The reason why a scene is so impressive lies in the changes. In "eva", Ayanami Rei doesn't have many lines, but there are many close-ups of her eyes. "Hollow" is originally a type of collapse for character creation, but it is It is extremely suitable for Ayanami Rei - because at the beginning, she was a container, even a container without her own soul. For her, 'empty' is the most suitable look for her. And because she adapts and accepts The emptiness of Rei Ayanami, and the subtle changes when she began to express her feelings, brought a strong visual and emotional impact to the audience, and it is precisely in this way that it has become an eternal classic in history."

"Of course, this level of difficulty is too high for you. The detailed changes in expressions are very difficult, but other details will be much simpler. For example, movements, you see when Shizuka first came in, she bowed slightly. When she sat down, she also knelt down. Even without looking at her expression, this subtle movement could show her inner restraint but respectful attitude."

After hearing He Chen's analysis, Ema carefully observed Shizuka's posture and listened carefully to He Chen's explanation. In this way, it was easy to understand by using the facts around her as examples.

"Also, her satchel was placed within easy reach, which showed that she was careful and cautious. At the same time, she started to put the satchel on her side, and then put it in front of her midway, which seemed very uneasy. Without these actions and external equipment. If you want to express Shizuka's delicate emotions, you have to be an actor or an actress. However, with these actions that may seem ordinary and useless to the audience, it is very easy to reflect a character's personality to people. And her emotional changes make the characters more fleshed out.”

In the short period of time just now, there were a lot of details, which they had never noticed in the past. The reason why details are called details is because they are too small, too insignificant, and too easy to be ignored by people. . But in He Chen's narration, all the details were so conspicuous, and they were dug out and placed in front of them. Only then did they realize that these details actually contained such great knowledge.

"Ema, please pay attention to Shizuka's last change. When she felt she had lost hope and fell completely into despair, this change is similar to the one in "Infinite Horror" where people completely fell into despair amid endless pressure and terror. Some of them are similar. Resentment, some are unwilling to give up, some are giving up on themselves, and some are walking dead.”

Ema nodded vigorously. For painting skills, this is a kind of accumulation. It does not mean that she can draw well just by telling her the subtle changes in expression. She doesn't have a plug-in like He Chen, so she needs to observe. After gaining enough experience, she will naturally be able to show it in the future.

However, some external expressions can be immediately applied to her paintings.

When Xiaolu and Xiaolu went to learn from Cang Shuhong, Cang Shuhong also told her, but it was not as detailed as He Chen explained to him.

No wonder Cang Shuhong said this person is even more powerful...

Ema secretly glanced at He Chen, who had already begun to explain to Sakaki Shizuka.

"Although what I just said was a scene, some of the things I said to you were not casual." He Chen looked at Shizuka Sakaki seriously, and Shizuka's expression immediately became nervous.

"As a voice actor, your voice is very ordinary and has no characteristics, and the variability of your voice is also very small, which means that your dubbing range is very narrow. If you are very ordinary and have no characteristics, you want to be in the world of voice actors. It’s very difficult to get a foothold.”

Shizuka Sakaki wanted to show a free and easy smile, but she couldn't smile. Her heart felt bitter and astringent. That smile was uglier than crying.

Imai Midori and Miyamori Aoi immediately responded angrily to He Chen: "Can't you say something nice? You haven't heard Xiaoxiang's dubbing, so why are you saying that Xiaoxiang is bad! It's really bad! Xiaoxiang , ignore him!"

"That's right, you know comics very well and are very powerful, but voice actors are different! Xiaoxiang works very hard, but she just lacks a chance!"

"Reality is not a cartoon. If you can definitely realize your dream if you work hard, then the dream is too worthless."

"Efforts depend on the method." (To be continued...)

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