Rebirth of the Father of Anime

"Teacher Huang, long time no see." Jiang Yan greeted Huang Shaotian with a smile.

"Little Jiang, tsk, the change is quite big, I don't dare to recognize it after seeing it." Huang Shaotian glanced at Jiang Yan, and then said.

"Me? What's wrong?" Hearing this, Jiang Yan asked.

Huang Shaotian teased, "It's become more beautiful. I'm afraid that if I talk to you, an old man will be treated as an old pervert and beaten to death."

Jiang Yan pursed his lips and said with a smile: "Mr. Huang, you are really joking. This time we are still cooperating. Please take care of me later."

"When we cooperated last time, you were still at CCTV, and you came to Tianman in a blink of an eye. I think you should take care of me, haha."

The two jokingly came to Tianman's studio. Tianman also opened a review program on animation, which is similar to "Meet the Premiere", but only animation, but it is not limited to Tianman's works, nor is it limited to movies, TV version and OVA, etc. There is an introduction, once a week.

The host is naturally Jiang Yan, and the special guest invited for this episode is Huang Shaotian.

"Ping'an City has changed a lot. I just came here a few years ago, but when I came this time, I didn't recognize that it was Ping'an City. I thought I had come to the legendary Fantasy Township."

"There is also the Baiyulou Snack City. Teacher Xiaohe is really amazing. He has created such a snack city that people don't want to come out after getting inside."

"How about the house price here, I want to settle in Ping'an City."

"By the way, is the program allowed for me to criticize Teacher Xiaohe?"

Huang Shaotian didn't stop talking from the beginning to the end, rambling on for a long time, Jiang Yan felt that even if he was locked in the house by himself, he could talk to himself for a lifetime.

"Personal advice, for the sake of your own safety. Please be careful," Jiang Yan said.

Huang Shaotian turned pale with shock: "So dangerous? Could it be that this is really the legendary city of the demon king who cannibalize people?"

"Okay, no kidding. I'm going to record a show. The ratings of this show are not bad. I'm worried that something bad will happen if you meet excited fans. This is Ping An City. There are not many things, but there are many thieves .”

Everything was ready in the studio, the two ended their chat, and after the director made an OK gesture, they started recording the program.

"";Gate" changed from the dullness at the beginning,

Not favored. To the final sensation, brought us a wonderful time travel. I believe that the audience friends already know the teacher Huang Shaotian next to me very well. I wonder what teacher Huang Shaotian thinks of ";Gate"? "

After Jiang Yan made a simple opening speech, he brought the topic to ";Gate" and Huang Shaotian. Huang Shaotian immediately got into the mood and took the topic calmly.

"Traveling through time and space is an old theme. Ancient and modern, at home and abroad, people have never given up their fantasies about the mysterious topic of time and space. ";Gate" has a unique style, and the height of the plot far surpasses other Similar works. Substituting the audience's feelings through the fascinating, ups and downs of the super-expanded storyline. Many people think it is slow, but I want to say that the previous plots are by no means nonsense. It is important for subsequent development and ending orientation bedding."

"At the very beginning, the real John Tito, CEOR, and not a simple parallel timeline were presented as the basis of logic, which is enough flavor; in a slow-cooking way, the 'let simple text information travel through time and space' , "Let consciousness travel through time and space", and "Let people travel through time and space" are realized with different levels of science fiction as the story unfolds; in the middle of the story, there is a shocking reversal. The existence of time 'advances the plot; fits the changes of the timeline with a perfect plot."

"It seems that you have a very high opinion of ";Gate"." Jiang Yan continued.

Huang Shaotian went on to say: "Personally, I think that the most important factor for works on the theme of traveling through time and space is the setting of 'cause and effect'. Whether or not this factor can be grasped is directly related to the success of the entire film. The most classic is There is nothing better than going from effect to cause, that is, the beginning is the result of the formulation, and then it is substituted into the subsequent process. And this process will eventually lead to the result of the formulation. This is convenient for setting up suspense and fully mobilizing people's curiosity. In the end, it can give people a feeling of sudden enlightenment.”

"From what you said, ";Gate" seems to be like this." Jiang Yan said. "Different from Hollywood genre films that fix conflicts and plots", in the first half of ";Gate", the characters are placed in their proper positions without delay, and the changes in the timeline are shown with small coincidences and details , the plot is like a series of circular arcs slowly spirally drawn with a pencil. When the plot is halfway through, the peaks and turns of the plot are like repainting all the circles just drawn with the color of dreams with colored pencils. The collection just ends where the first pen was written, all the arcs are perfectly closed, and the curtain call is wonderful."

Huang Shaotian nodded and said, "One more thing, many sci-fi works are difficult to understand, and they keep playing with the profound. But I think that the most important thing for sci-fi works is to be popular and easy to understand. It’s right to understand, at least don’t pretend to be esoteric. Being less jerky doesn’t mean it’s superficial, and “logic” is the key point. Many works that are dubbed “brain burning” are not because of how difficult they are. It’s just logical, and it’s easy to understand if you clear your mind, it’s actually just a ‘because of that’ story.”

"The whole work of ";Gate" is very rigorous from the beginning to the end, trying to 'justify itself', cause and effect cycle. From the first chapter, the foreshadowing was laid: I saw the assistant stabbed to death with my own eyes. It started from this key point A series of subsequent events were triggered: sending the first D-- from the β world line to the α world line - seeing the assistant of the α world line - accidentally discovering the function of combining the electric oven and the mobile phone - starting to study D-- ——Experiment D———Research on memory teleportation... until the death of the truth, here began to enter " ", Okabe's countless memory teleportation, and then the assistant helped him find the root cause, and then solved the reason, and finally found it, and returned At the first point."

"This foreshadowing is beautifully buried, and the process is really exciting. But what I think is the 'finishing touch' is the last two episodes, how Okabe escaped the confinement of the world line and 'rescued' the assistant from the law of cause and effect. This process It’s so ingenious and very reasonable—of course, this reasoning is based on the world view of the story.” Speaking of the exciting part, Huang Shaotian couldn’t help but dance with joy, and kept making gestures with his hands.

"How should Okabe escape the confinement of the world line, how to rescue the assistant under the shackles of the law of causality, the conclusion given in the play is 'deception'-to deceive the original self. Because there was only one condition that triggered Okabe to send text messages at that time : I saw the assistant lying in a pool of blood. It doesn’t matter whether he is dead or not. For example, is it the assistant lying on the red paint to sleep? It doesn’t matter. Because the moment the text message is sent, Okabe will go to the α world line to drift 'He went, and after he came back, he didn't know any news about the β world line in the past two weeks. Of course, he didn't know from the news whether the assistant was dead or not."

Huang Shaotian paused, and then said: "The first thing that attracted me to ";Gate" was its scientific setting. The theoretical structure of time travel as the theme is not as simple as a blue fat man popping out of a drawer." , but based on the existing time machine theory, a product of a little fantasy."

"The excitement of the characters in the works when they discovered unknown phenomena; the persistence in establishing hypotheses, conducting experiments, failures, and re-experiments; finally understanding the principle, and the joy of successful inventions all touched my curiosity. Explore. This work also has a huge amount of information and knowledge content as many as 224 notes. From this point alone, it is not difficult to find that this work is not a pure fantasy production, but a science fiction work based on reality. Not only that, but there are unpretentious allusions to things that exist in reality such as CERN and dmfun, which give people a huge sense of reality and substitution, and make people fall into it and cannot extricate themselves."

Speaking of "innuendo", Huang Shaotian smiled teasingly. The works under Tianman's banner are often mixed into Tianman's products, and it has gradually become a feature of Tianman.

"As the story progresses, the twists and turns of the plot become another factor that attracts me. As the price of distorting time and space and causality step by step, fate also ruthlessly teases the characters in the work. The ridiculous deaths time and time again bring What is more and more devastated on the soul; the efforts of time and time jump again and again, in the end, the result is only the conclusion that the will of the world cannot be resisted. After all the efforts, the result is the gap called despair. However, all these Everything in life is not in vain, and it is precisely because of the accumulation of these bits and pieces of the past that the salvation of the world and self is finally obtained."

"The character creation in the story is impressive." Jiang Yan said.

Huang Shaotian said: "The two heroines, Kurisu and Mayuri, one is a calm positivist who published an article in the "Science" magazine, and the other is a very cute and innocent ordinary girl. I don't know that the big devil is in How did you set up the characters at the beginning? I only think that there are two heroines, one represents logical rationality, and the other represents irrational intuition. In the story of ";Gate", whether it lacks Hong Liqi's rationality or lacks Without Mayuri's intuition, Okabe couldn't make it to the end of the story."

"There is also the main character, the phrase 'I am the madman of science, the Phoenix Academy', from the naive and ridiculous at the beginning, the weak cover-up when he is powerless, the sadness and sadness after life and death, to the calmness and calmness of seeing all life and death after going through all kinds of calamities. The process of the child growing into a hero, I have to say, the dubbing of Okabe is very wonderful..." (To be continued. If you like this work, you are welcome to come to the starting point () to vote for recommendations, monthly tickets, your support , is my biggest motivation. Mobile phone users please go to read.)