Rebirth of the Father of Anime

"The big devil is actually a sweetheart!"

"Heresy! Aren't zongzi and rice balls salty enough to be eaten?"

"No, the big devil should be a salty party. Didn't you read that the sweet rice dumplings (rice balls) were stepped on the ground in the story? A real sweet party would not do such a thing! Not even in the story!"

"There is actually a salty party here. Call the sweet party headquarters and ask for support!"

"Damn! There are still people who can eat something as disgusting as salty rice dumplings (rice balls)! The rice dumplings must be sweet. Reduce the saltiness and ensure safety!"

The sweet and salty debate has once again caused an uproar on the Internet. I wonder if it is too boring in reality. People all over the world have joined in this boring discussion. Four or Five Chinese +◆, like a holy war, everyone is waving the flag and shouting for their favorite party.

There are even some scholars who have a hard time analyzing the necessity of sweetness (saltyness) from the biological field, the food field, the nutrition field, and even the philosophical level.

The biggest party dispute in the world is probably the sweet and salty dispute.

And this party struggle that has spread all over the world originated from the third episode of "one-".

"One-" is similar to "Dragon Ball". The real popularity of "Dragon Ball" started with the "World's No. 1 Budokai", while "One-" also exploded from the middle of the story, establishing its unshakable status.

Therefore, when He Chen first serialized it, "One-" seemed calm - after all, it only had a few chapters. No matter how great the work was, it didn't even have the foreshadowing. How could it be possible to tell whether it was a classic or not?

Moreover, there are too many classic works written by He Chen, so among these many works. The stories serialized by He Chen are bound to be interesting. It's only natural for the fans. Coupled with the "alternative" painting style of "one-". So in the early days, it was nothing.

Speaking of which, the painting style of "One-" is not pleasing. Among the three major migrant comics, if you look at the first impression of the cover, He Chen will definitely choose "Naruto" and "Bleach". Not "One Piece". So, I waited until the One Piece serialization reached the battle on top. He Chen, who had nothing to read, went to see "one-"... and then he got out of hand.

Only those who have watched "one-" can feel that only this style is the most suitable for "one-", because it tells the story of pirates!

This is the story of a group of unfettered and unscrupulous people!

He Chen once remembered that a netizen said,

If "one-" could change its style of painting, it might become even more popular. But then He Chen thought about it, if he was limited by the so-called "style". That would also lose the free flavor of "One Piece", which tells the story of pirates. This is not a story about a gentleman. Only the flamboyant, free and eclectic style can perfectly interpret "One Piece"!

So He Chen still adopted Oda's original style. No, it should be said that it was the "One Piece" style that Oda formed after he became more and more sophisticated in the later period. Of course, limited to characterization.

In He Chen's eyes, although the sales volume of "One-" is unmatched in the comic industry of the island country and it has a huge fan base around the world, it is not the most perfect royal blood comic.

As long as this genre is mentioned, people will definitely think of "Dragon Ball", followed by "One Piece". The former one is the king of the old era, while the latter one is the king of the new era. Both stand at the pinnacle of the genre.

If "Dragon Ball" is the ultimate in combat, then "One-" is the ultimate in story.

Even though He Chen is a loyal fan of "Dragon Ball", he has to say that the story of "Dragon Ball" is very misleading...or should be said, it was deceived by those idiot editors. "Dragon Ball" is the only one that uses the upgrade copy flow so crazily and shoddily.

However, I have to admire Master Akira Toriyama’s accomplishments in comics. Even if you know what is going on behind the scenes, even if the enemies appear inexplicably, illogically, and inconsistently, and even if you know that the protagonist will definitely defeat the enemies, those battle scenes can still make people excited to watch them.

Among all the comics, He Chen only felt it in "Dragon Ball".

To use a word from martial arts novels to describe it, it is "awesomeness".

Although "One-" is equally passionate and can make readers feel a similar passionate momentum, its momentum is not achieved by relying on the pictures, but by using its wonderful stories to lay the groundwork and finally burst out. of.

At the beginning, I felt that the story of "one-" was just like this. But I am not afraid of not knowing the goods, I am afraid of comparing goods. Especially when I think of the story of the other two He Chen who was my favorite at the beginning, but ended up collapsing into Xiang... I won't say it anymore, it's all tears.

After reading too many long stories, you will go back and watch "One-", and you will find that it is possible to tell such a wonderful story in this super long story, and the overall story structure remains basically intact without collapse. It is really rare. And after this lengthy foreshadowing, all the bright and dark lines were drawn out at the end, just like a big net spread out in the deep sea, slowly shrinking, slowly shrinking, and finally all the nets were caught!

The story of "Dragon Ball" is far inferior to that of "One-", and the depiction of the battle scenes in "One-" is not as good as that of "Dragon Ball".

Both are considered the pinnacle of this field from different perspectives.

What if you merge these two styles?

This idea is completely feasible, because the battle and the story are completely two aspects and will not conflict. Master Oda couldn't do it because he was limited by his own style.

In other words, just like a competition between two people, "Dragon Ball" can completely show the scene of the competition to people, making people feel like they are immersed in it, and they will naturally be infected by the atmosphere and become involved. In "one-", there are moves. There are results. But it lacks the link of dismantling tricks - it's not the so-called skill. Then the kind of splitting moves that break each other's skills is called a skill.

"Splitting moves" is to maintain the continuity of the picture of releasing skills. Without this picture coherence, the appeal of the picture will naturally decrease.

But He Chen could, so He Chen shaped the mission and story structure in Oda's style. However, in the battle scenes, he added the combat performance he learned in "Dragon Ball".

After optimizing the battle scenes, it is He Chen's version of "one-".

The passersby and background of "one-" itself are very similar to the style of "Dragon Ball". I wonder if Eiichiro Oda learned the style of Akira Toriyama.

All in all, people on He Chen's side are very familiar with the style of "Dragon Ball", so when they saw this style and this theme again, fans immediately concluded that after "Dragon Ball", the master finally began to create new The blood is boiling.

But in the third episode, which was not very impressive, it triggered this salty-sweet controversy.

The opening of the animation of "one-" is different from that of the manga version. The opening of the manga version is extremely exciting. The pace is fast and the story flows smoothly. The animated version has many pitfalls - compared to other animated versions that like "original", "one-" is not bad, but in terms of viewing experience, the animated version is still far less powerful than the rendering in the comics.

In the opening chapter of the manga, the third chapter is the plot of Luffy meeting Zoro and getting Zoro to join his gang. The first time I met Zoro, when Zoro was tied up by the navy, a little girl who had been rescued by Zoro sneaked in to bring food to Zoro, but was killed by the "second generation of the army" (who relied on his father's reputation in the navy to become arrogant and domineering). The story of finding trouble.

In a very ordinary plot, for the sake of plot conflict, the appearance of such a clown is very necessary and timely. However, all the people's attention was focused on the little rice ball (zongzi) in the little girl's hand.

Because He Chen didn't write what it was, judging from the comics, Chinese fans thought it was rice dumplings, while Japanese fans thought it was rice balls.

But that’s not the point. The point is that this thing is sweet!

And he was thrown to the ground mercilessly by the "second-generation military man", stepped on it, and said: "It tastes terrible! Sweet? There is sugar in it? How can you eat it if it's not salty?"

After seeing this sentence, how can fans endure it?

The salty party members waved their flags and shouted, the sweet party members rose up to resist, and the sweet-salty controversy broke out again.

The key to this war lies in one person - He Chen. What kind of taste does the big devil himself have?

From the background of the characters in the story, the "Second Generation Army" is obviously a villain, and the little girl is obviously a lovable positive character. Such a character belongs to the protagonist, and such a character is a sweetheart, so Some people regard this as strong evidence that the devil is a sweetheart.

However, this evidence cannot convince everyone. Because compared to this character, although "The Second Generation of the Army" is just a villain, his speech in the story was "said" by the big devil, and this is a sentence that has nothing to do with the plot of the story. What does it say? It’s not a good thing to say, why should you say this? It really arouses people's imagination, so this sentence can also reflect the meaning of the big devil from another angle.

"Chenjun, do you like sweet or salty?"

Mamiko held two rice balls and asked He Chen. Although she understood He Chen's taste, after thinking about it carefully, it seemed that among the foods she made that He Chen liked, the sweetness and saltiness seemed to be half and half.

Unable to bear the curiosity in his heart, and in order to find out He Chen's taste and adjust his future research direction, he asked He Chen.

"I draw battle comics! Not food comics!"

"Yes, I know. But Chenjun, do you like sweet food? Or salty food?"

"What I draw is a legendary adventure story of a pirate!"

"Is the pirate sweet or salty?"

"..."

He Chen wanted Jingjing, so don't ask him if Jingjing is sweet or salty. (To be continued...)

ps: I'm stuck again... I'm so stuck.

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