Rebirth of the Father of Anime

( ) The war against the sea monsters is considered a climax in the early stage. Whether it is the scene of Artoria liberating her real name, or the air chase between Gilgamesh and Berserker, fans are talking about it with gusto Violent scene. ⊙4⊙5⊙Chinese⊙Chinese∽↗, its influence is also very direct.

For example, He Chen received another complaint - he has long been used to complaints. The complaint reported by Zhou Zhe this time is because He Chen's painting of Qingxu's monster was too "exciting", which caused a serious decline in the squid business.

Many sizzling squid food stalls near the school are about to fail, and they have organized a joint protest, demanding that the squid pictures be deleted or put on mosaics.

He Chen really wanted to swear, but thinking that he was also a person with status and status now, he couldn't lose his demeanor. In order to seize the prime time and expand the influence, He Chen has harmonized a lot of "bloody" images, only showing them in profile. These squids... No, they are monsters, and they are not disgusting. How decent is it to reward a mosaic?

Is it possible to show the children that Artoria is surrounded by a group of thick and large unidentified mosaic stick objects, constantly erasing her body?

He Chen despised the sinister intentions of these people. In order to create a healthy and harmonious growth environment for the children, He Chen resolutely refused to compromise with the evil forces.

As for the impact on the squid business?

It has nothing to do with He Chen, and he didn't draw squid. If others don't eat it, how can he be blamed? If he draws a meat manga, will he still be charged with crimes against humanity or murder?

Besides, if he is not allowed to draw a squid, what should he change it into?

He Chen said a little bit. The others couldn't sit still. If changed to chicken. Is this chicken still allowed to be sold? If changed to a pig. Does this still make people eat?

So it didn't take much for He Chen to say anything, the matter was settled soon. The bullying thing was done well, but someone gave them a note-wouldn't it be enough to improve it?

The reason for fans is that the image of squid is too similar to that of sea monsters. After watching the animation just now, there are psychological shadows that lead to the decline in its sales. But what if you change the look? For example, squid balls, or cut into strips and fried into squid strips, or diced into diced squid. As long as the fans can't see the appearance of the squid, won't it be enough if there is no resistance in their hearts?

As for the taste - no one has eaten sea monsters anyway. Who knows what the sea monster tastes like?

Maybe it still tastes like pork belly.

This move quickly became popular,

Not only did it solve the problem of squid sales, but it also gave birth to countless new ways to eat squid, which made a group of foodies a real treat.

In the international arena, the protest of Bangzi is particularly strong-because Bangzi has a famous dish, which is to eat raw live octopus. It is also because of the appearance, not to mention foreign tourists, even the locals can hardly eat it anymore. The business of octopus and squid is bleak, and they have already planned international lawsuits.

But I was pushed back by He Chen's words - I didn't show it on Korean TV. You people like to come to dmfun to watch my animations, and don't mind my business. There is a kind of you to build a local area network of the Korean nation, and I can't see it. Of course, the original words were not like this. He Chen is a person with grace, culture and connotation, how could he say such vulgar words? But translated, it probably means the same thing.

As for the South Korean market, it was too small and very exclusive, so He Chen didn't like it at all. Basically, He Chen never showed animations or movies on the TV station there.

The Fifth Holy Grail War - its name is "fate-stay-", which is translated as fate night.

And the Fourth Holy Grail War is not a simple and popular name like "Fate Night Prequel" or "Fate Night: The Fourth Holy Grail War", it is "fate-".

Not «fate-» nor «fate-», but—zero.

Chen Yi always thought a lot about the names of Master Porter who seemed to have deep meanings. For example, this zero, why is it called zero instead of others?

In general, zero can be seen as the place to start.

With zero as the name, does it mean that this is the place where fate begins?

But this is the fourth Holy Grail War, and there will be the third, second, and first time. Although I know from the story that the first three times were not very successful, I still feel that there are still many stories to write, even if it is Where fate begins, it shouldn't start here.

In addition to the meaning of having a beginning, zero also represents nothing. There is nothing, nothingness, confusion, or no answer. So this can also be seen as the meaning of asking questions. In this way, "fate-" can be translated into "The Question of Fate".

Judging from the plot, it seems to fit the name very well.

7 masters, 7 servants, this holy grail war is not only a question to their fate, but also a question to the fans - fate, what is it?

Among these people, Tokiomi Tohsaka is probably the one who has the most simple and easy-to-understand fate, and who is also derided as "boring" by the King of Heroes.

Among so many masters, he is the only magician who wants to use the Holy Grail to reach the root, and he is a very pure magician.

"Tohsaka Tokiomi, he doesn't have Kiritsugu's innocent compassion for magicians and ordinary people without distinction, he doesn't have Kariya's fear and hatred towards the entire group of magicians, which was inspired by his father's perverted magic, There is no such thing as Weber's youthfulness as a trainee magician, no Kenneth's conceit that is mainly based on his own genius, and no emptiness and confusion like Kirei's - some are based on the premise of knowing the dark side of a magician. The sense of honor and responsibility of being part of the community of magicians."

"'A loyal defender of the organization's creed, a staunch defender of the organization's order'—perhaps most audiences will regard this as a sign of rigidity, tediousness, and lack of humanity, and in turn are more likely to be attracted by those who have more personal emotions, often for This deviant character is moved; and in the works, the former type of characters will often end up being considered self-inflicted because of their own ideas. But for me, I know that the environment I am in is far from It is harsher than the 'outside world' but still able to accept its laws safely, 'because it is harsher than the outside world, its order should be guarded', 'in such an environment, as long as self-discipline can be respected and have a clear conscience Live on' and so on, and the attitude of having no regrets even if there is no place to die, is the most attractive. It was Tohsaka Tokiomi's image that won my favor in the first place."

"What made my affection for Tokiomi elevated to moe was the psychological description in the novel when he bid farewell to Rin: the stable Patriarch Tohsaka Tokiomi was originally a person with mediocre qualifications, and he won the future through hard work. Achievement; he is the loyal son of the Tohsaka family. He has affirmed the career of the ancestors of the past generations with his own will, and is eager to use his own hands to realize this unfinished business. Tohsaka Tokiomi decided to step into the path of magic through his own consciousness. Determined not to be at the mercy of fate. It was this awareness that gave Tokiomi a steely will. Since then, it has been this kind of arrogance that "this is the way of life he chose" that has supported him through the days of harsh training conceit."

"This is the most reasonable explanation for the adoption event that has caused countless controversies: Both daughters have rare talents, but the Tohsaka family can only be the shelter of one of them, and the other will face the inevitable consequences of extraordinary talents. In the eyes of Tokiomi, who has always been proud of 'choosing his own way of life', it must be a great tragedy."

"The road ahead is difficult and dangerous, but at least you must take your fate into your own hands as much as possible - this is Tokiomi's expectation for his two daughters, not the so-called unwillingness to let his daughters become mediocre, or even sacrifice their happiness. I have no intention Whitewashing Tokiomi is just ignoring the important background that he himself is a mediocre person and is grateful for the right to choose independently given by his father. All psychological speculation about Tokiomi in the adoption incident can only be groundless Guessing, Kuroya Kuro just went in the wrong direction. What worries Tokiomi the most about Sakura is the 'almost cursed' genius. If Sakura is as mediocre as himself, Tokiomi will feel relieved. The encounter is indeed the responsibility of the time minister's negligence, but in all fairness, compared to the cold blood of the father, this is more a cruel joke from fate."

"In the eyes of Gilgamesh, the evaluation of time is 'boring', very boring, why is it so?"

"Among the wishes pinned on the Holy Grail, Tokiomi's 'reaching the root' can be said to be the least selfish, and even has nothing to do with the entire 'inner' world. It is neither 'good' nor 'evil'. The existence of zero; the owner of this desire must be like a stone that is too square, hard and smooth, and there are no cracks to dig."

"A firm and clear self-will, without wavering or confusion, and always walking on the path of getting his own affirmation... All these determine that Tokiomi has no value in extracting pleasure from Kirei and Gilgamesh who are keen on soul rifts In this way, it is understandable that Shichen is evaluated as boring. It is precisely because of this that I have no sympathy for the ending of Tohsaka Tokiomi—after all, I sympathize with the life that unfolds and ends in the way I agree with from beginning to end. This kind of stuff is completely unnecessary."

"Fate, Kirei killed his own teacher, Toki. However, fate, he also became Rin's teacher and guardian, and gave Rin the sword that he personally stabbed into Toki's body. But it was fate again, and Rin The sword he once pierced into Shi Chen's body pierced into his body..."

"Fate... This is a question for all living beings." (To be continued...)

(l~1`x*\u003e+``+\u003c*l~1x)