Rebirth of the Father of Anime

Card issuance is a science, especially this kind of group card issuance.

For example, Wakaki Minki and Fushimi Tsukasa, the two big boys, imitated others in issuing cards in groups, and then triggered a fan riot. If express delivery could deliver bombs, they would have died hundreds of times.

However, the "ad" animation turns the knowledge of card issuing into an art!

It's impressive but doesn't feel out of the ordinary; while it makes people feel regretful, it also makes his choice a matter of course.

As mentioned before, most of them will downplay this kind of description. If they are works that are biased towards this part of the description, such as "l-days" and "White Album 2", they also focus on this conflict and specifically describe this conflict. Sadism and bitterness are the selling points.

As a sentimental drama, there has never been an animation work that can describe such the most straightforward conflict so lightly, and the description is so shocking!

All the wordless "love" is reflected in the changing expressions and movements of several people.

Each person's reaction is deeply in line with the personality characteristics of each character.

This alone is enough to make the images of several characters plump and substantial in people's minds... and also make people like them more and more.

This scene was actually not just for issuing cards. If it was just a group of good people issuing cards, the grade would be too low. How could it leave such a deep impression on He Chen?

This scene, the real meaning. It's about choice!

In the game, we are faced with various choices of strategy routes, but in reality. We are faced with various tempting choices!

Three thousand weak water, only take one scoop!

Okazaki is very gentle, no matter how he treats Nagisa, Fuko, Kotomi, Muku, Anzu, Tomoyo, he is very gentle. It is this gentleness that makes them fall one by one.

He can help Fuuko fulfill her wish; he can pull Kotomi out of loneliness and make her meet more friends; he can also spare no effort to help Tomoyo compete for the student council president; and at the same time, he can chat and laugh easily with Muku and Anzu.

However. Even tenderness is different.

What they got from Okazaki was "friendship."

And what Nagisa got from Okazaki was "love"!

"Friendship" will make Okazaki spare no effort to help them.

Solve their problems.

And "love" will make Okazaki try his best and even use his life to protect Nagisa.

There is only one word difference, but this is an insurmountable gap.

At that moment, they saw it. They understood the difference between themselves and Nagisa, and even more understood that this gap was something they could not cross no matter how hard they tried.

So Xing, Mukuro, and Tomoyo stopped. They understood that the world of those two people was a place they could not approach.

Crying is regret, sadness, and relief. It is also a tribute to the youthful first love that ended before it even started!

In "-album", Haruki was wavering between Touma and Yukina, and he didn't make a choice. Therefore, he gained the common despise of countless fans who like Touma and Yukina.

In "l-days", Brother Cheng drifted farther and farther in the vast sea of ​​*. He also did not make a choice, so the world and Yan Ye made the choice for him for the fans.

Okazaki, Haruki, and Makoto, the three protagonists are all equally gentle at the beginning. Perhaps this gentleness is what is most attractive to women.

However, only Okazaki made the choice!

He clearly controls the boundaries between "friendship" and "love". Treat others with "friendship" and treat Nagisa with "love".

In the game "l-days", He Chen used the options hidden in psychological issues to make people realize the boundaries between "friendship" and "love".

Gentleness does not mean being a bad person, and the gentler you treat others is not the better, because this will cause others to misunderstand. Whether in the game or in reality, aren't some people intentionally or unintentionally crossing the boundaries of "friendship" and "love", and then these misunderstandings trigger a series of tragedies?

Countless facts have proven that only by holding this boundary can "love" be sweeter and "friendship" last longer.

It seems simple, but how many people can truly control it in the face of the bustling world?

He Chen used "l-days" as a negative expression, and "ad" as a positive expression. The positive and negative are combined to complement each other and save all sentient beings.

This choice is not only a choice of love, but also an attitude towards life.

This scene is very short and quick. To say that it immediately triggers people's reflection on society is nonsense. Most of all living beings are just ordinary people. But ordinary people will be moved, and this shocking scene is destined to remain in their hearts forever, and will subtly affect their choices in life.

Generally speaking, adapted works will be compared with the original work.

"ad" is not immune to this. Even the god "ad" has been criticized by game parties.

It is difficult for adapted works to follow the plot of the original work exactly as it has to take into account the expression mode, rhythm and length of the animation. Especially for this type of game, it is even more difficult to adapt it - because of the multi-route model, it is bound to have a focus when adapted, and it is difficult to please all fans.

Even if there are animation models such as parallel space and multi-route development that are specifically designed for the birth of adapted animation, there are obvious shortcomings - there will not be too much space per line, because too much will lead to too high costs, and not much space means that The plot is too compact to show the effect of the original work; and because the routes are separated, the plot is bound to be single, and it also diverts fans, which is detrimental to the animation's ratings.

The best and most perfect adaptation model is probably "". Because it has multiple perspectives and is based on family relationships, there are problems that exist in other films. It can be easily solved for "".

This scene from the "ad" animation is an original scene and is not included in the game.

However, not only is this scene not inconsistent at all, it is just right!

This scene perfectly connects the front and back, fleshing out several characters and sublimating the first half of "ad". At the same time, it also establishes a link between the past and the following for the second half.

Moreover, this also directly solves the biggest problem of game adaptation animation!

Because generally speaking there are n heroines. Therefore, when it was adapted into an animation, it seemed that the male protagonist was a philanderer. Even if the choice of the male protagonist was deliberately downplayed, people would often label him as a philanderer.

But. Okazaki's approach here has reversed all negative images, won countless praises and favors, and successfully created a good man with the "four things" in the new era who is responsible, bottom-line, principled, and emotional!

In He Chen's mind, this just-right scene is the most interesting and thought-provoking part of the first half of the "ad" animation!

At the same time, this is where the animated version of "ad" surpasses the game!

If an actor were to perform this scene, if he were not a powerful actor or actress, he would probably not be able to perfectly interpret this emotional outburst!

In order to express this paragraph as perfectly as possible through painting. He Chen took great pains.

…

"Jingshu, I'm sorry."

He Chen sat on the sofa with his head lowered. Holding her hair with both hands, He Chen suddenly said this to Yi Jingshu after Yi Jingshu came home from get off work.

He Chen suddenly raised his head and looked directly at Yi Jingshuo.

Pain, self-blame, guilt, various expressions were changing on He Chen's face.

That troubled look. Yi Jingshuo's heart twitched when she saw it.

"What's wrong?" Yi Jingshuo hurried over and said softly.

"I'm sorry..." He Chen stared at Yi Jingshuo closely but repeated the same sentence.

"Ling Yan is here. It's mine..." He Chen said again.

"Yes, what's the matter..." Yi Jingshuo's voice became smaller and smaller, her steps became smaller and smaller, her eyes began to be confused, and suddenly began to flicker, looking elsewhere, looking at him, she laughed dryly. Literally, his voice was trembling and weak.

"I'm sorry, I can't marry you anymore..." He Chen said solemnly.

Yi Jingshuo's face turned pale, and tears fell from her eyes. She gritted her teeth hard, as if to stop the tears, but the more she wiped them, the more they came.

"Why, why..." Yi Jingshuo only asked one sentence. Her voice was choked and hoarse, and her throat seemed to be blocked by a stone. Every breath made her unbearable, and every time she spoke, she had to use all her strength. All the strength in the body.

It no longer had the voice that He Chen liked most in the past.

"To obtain materials."

The expression on He Chen's face suddenly disappeared. He quickly took out his pen and looked at Yi Jingshuo's expression, sometimes comparing it, sometimes frowning in thought, trying to express on paper the delicate and changeable expression of extreme sadness in silence. .

"Ah?" Yi Jingshuo's tears were still flowing, but she suddenly froze.

Materials?

Do you want to have a child to collect materials?

However, I walked over with heavy steps and saw a lot of He Chen's handwritten drawings that could be sold for a sky-high price if I took out any one of them.

There are various expressions on the drawings, some are crying, some are silent, some are cold, and some are sobbing, but without exception, they all show expressions of extreme sadness.

Yi Jingshuo suddenly understood, and a thread in her mind seemed to snap.

He Chen spent a lot of money to finally coax Yi Jingshuo back to his bed. The various humiliations of "losing power and humiliating the country" naturally need not be expressed in words. However, in pursuit of perfect performance, He Chen felt that everything It's all worth it.

Of course, He Chen was toying with more than just Yi Jingshuo.

All the women around him were mentally toyed with and humiliated by him frantically. He Chen can tell the world that there is no one in the world who can be better at painting women’s sad expressions than him!

Of course, in order to prevent himself from being dismembered, He Chen moved them with his sincerity (compensation) and willingness (compensation) afterwards, letting them understand that this was a dedication to art and no longer pursue He Chen's grieving behavior.

Therefore, He Chen really worked hard for this very important scene. (To be continued)

ps: Chapter 13 of the extra "9999 Ways for Porters to Die":

He Chen: Ling Yan is here, it’s mine...

Yi Jingshuo: Oh.

He Chen: Is it just "oh"? Isn't there any other reaction?

Yi Jingshuo: Okay then...

He Chen, died.