Rebirth of the Father of Anime

He Chen never expected that the system would give him such a "big gift package".

Although "-days", "", "" and "White Album 2" all belong to the 18X theme, their plots are still ups and downs, and 18X's CG is just a spice after being moved.

But this time what he produced was a proper 18X work. Use 18X to promote the plot, and all plots also serve 18X. If the content of 18X is deleted, what will be left in the story?

Even if He Chen is quasi-possessed by Ma Zhi, there is no way to modify this work into a pure love series like "" - if it were of that level, it would be better for He Chen to modify a few threads and directly create a brand new work himself. It would be more efficient to modify this thing.

The large number of edging descriptions in "-days" planned this time are already He Chen's bottom line, and those edgings are He Chen dancing on high-voltage wires in order to enhance the shock of the final ending.

Such a work was painted in front of him, which was a subject that He Chen could not touch on under any circumstances. No matter from the perspective of reputation or profit, these are not worth He Chen's expense at all. And once He Chen paints in his own name, the Tianman he built will collapse in an instant - everything he has now is based on the reputation brought by his past high-quality and excellent works. If the reputation is gone, then Nothing is left.

Originally, He Chen was full of expectations for the "Mid-Autumn Festival Gift Package", but he didn't expect that he would end up with such a work that would never be released. A deep pain in his balls filled He Chen's heart.

Fortunately, there were two "eggs" and one that could give He Chen some comfort.

In the new book "Genius Ping Pong Girl" prepared by Takehiko Inoue this time, because of his personal "preference". The characters in it are all cute female characters, but they only reflect a vague ambiguity, which is higher than friendship and not yet full of lovers. It is a pseudo-lily theme.

"Kannazuki no Miko" is a classic work that describes psychology in depth and discusses the topic of yuri. It can be regarded as filling the gap in He Chen's current theme type.

After all, Tian Shi has begun to persistently preach the truth of "gay love" to the world, and He Chen has to find a way to balance the "evil" with the "righteous" Lily.

I just don't know if Hu Tao likes to draw comics, but He Chen feels that if Hu Tao is willing, she will definitely grow into a "leader" of this subject. Fight against the evil force Tian Shi.

At the "Mid-Autumn Art Party", a group of people talked about the "art" value behind He Chen's random paintings. He Chen echoed them. After the party was over, everyone left with satisfaction, feeling that this "Mid-Autumn Painting Party" was the best very interesting.

and meaningful gatherings.

Their exchange meeting was held every four years, so they agreed that each future exchange meeting would be held near the Chinese Mid-Autumn Festival.

He Chen applauded the proposal to promote traditional Chinese festivals.

In the end, Moebius took He Chen's painting away and kept it for collection, and also gave his own painting to He Chen.

An ink fan painting of Eternal Tei. For a pair of authentic works by a renowned art master, both parties are satisfied and happy.

After returning to the room, He Chen carefully savored the work that could never be published in his mind, and remembered the wonderful story that made people "bloody excited" and "unforgettable to leave", and then used an extremely strong will to He suppressed the evil thoughts with all his strength, and then started to deal with the matters at hand.

He has not been idle these days. After redeeming "Fullmetal Alchemist", He Chen began to sort out the characters, story outline, etc. inside. Then send it to Ye Xiaoyu via email.

Ye Xiaoyu has always painted funny subjects, even "Little Football Player" is full of youth and passion. And "Fullmetal Alchemist" is a passionate battle theme that he has never drawn before. The rhythm of the story and the storyboarding techniques are very different from his previous ones.

These are just to let him know what kind of story it will be and get familiar with the rhythm and style of the story. He Chen didn't want him to habitually draw "Fullmetal Alchemist" into "Fullmetal Doraemon".

Ye Jun sent an email to He Chen, replying to He Chen's previous question about the production progress of the "" game.

Tianman's Galgame has now formed a modular production, which divides a game into several parts, and then the game, original painting, dubbing, etc. are carried out almost simultaneously, and finally combined, so the game production speed is very fast.

Calculating the time, He Chen sent an email to Zhuang Bufan to inform him that the animation of "" would start production.

After Ono Daisuke went on a business trip, Zhuang Bufan temporarily took charge of the animation department.

Then He Chen sent an email to Gao Yang, asking them to prepare to serialize the "" comic.

In short, games, animations, and comics are all indispensable.

Then He Chen read Inoue Hikoo's new book "Genius Table Tennis Girl". It had just started serialization, and the content was about table tennis. The protagonist was still a primary school student, and it was also a story about an island country. For the Chinese who dominate the global table tennis world , it’s really not that exciting.

The opening chapter belongs to the type of genius stream that crushes the stream. A Chinese coach in the island country saw that he was very talented, so he trained him, killing and beating the elementary school students in the island country.

The Chinese people are tired of watching this kind of old-fashioned bloody stories and have no interest. If it weren't for the cute lolita characters written by Takehiko Inoue, they brought a group of people who share the same ideas with him. If you are a loyal reader, I am afraid that his popularity will be terrible.

However, this kind of plot seems to hit the G-spot of the island nation, or perhaps there are more fans in the island nation. "Genius Ping Pong Girl" is extremely popular in the island nation.

Coupled with the influence of the previous "Zero: Familiar", cartoonists in the island country suddenly started a trend of soft girls. As long as the girls are cute, no matter how bad the plot is, countless fans will follow them. Incessantly.

He Chen suddenly realized that his push seemed to be a little too fast. He didn't know if it was because of the concentrated bombardment of a series of two-dimensional soft girls this year. In the island nation, boy-blooded manga has not yet flourished, but cuteness has begun to rise. This effect is very bad.

He is considering whether to stifle this unhealthy trend in the island country.

Although he admires "cuteness is justice" and has always regarded this as his goal, he does not like to completely abolish cuteness.

In his eyes, the excessive pursuit of cuteness is a kind of regression, a kind of degeneration, and a manifestation of lack of soul. It is impossible to embody the "cuteness" of the character that can truly touch people's hearts, just like the beautiful stars with sticks. , all seem to be printed from the same mold, just like the inflatable dolls coming off the assembly line.

However, the island country seems to have little relationship with him... The prosperity of this kind of useless cuteness is the choice of their readers. Since they are willing to fall, He Chen seems to have no reason to stop them, and an island country baptized by useless cuteness , it is a lovely island country to China and even the world.

The next morning, He Chen received a call from Zhou Zhe.

"He Chen, we are a step too late. Qianman, Shengshi, and countless comic and animation companies, large and small, have basically bought up all the copyrights of famous martial arts works. Even some romance, anti-war and even literary works. There are people buying them..."

Zhou Zhe and Ono Daisuke were arranged by He Chen to acquire the adaptation rights of local martial arts works with commercial value, but they were a step late. When they contacted the novel authors or publishers, most of them had already been sold.

Feeling that the matter was not done well, Zhou Zhe called He Chen in shame.

This is similar to what He Chen expected. When the "Huan Zhu Ge Ge" Galgame was released in Shengshi and became a hit, those people were probably already eyeing the adaptation rights.

He Chen was negligent for a moment, so he took a step slower.

However, he didn't care in his heart. For him, these works may not even be the icing on the cake. They can only bring some financial benefits to He Chen. Since they are adapted works, the profits they generate will be in He Chen's huge business. Among the assets, I am afraid that even a wave may not be able to appear.

He Chen sent Zhou Zhe and Ono Daisuke there just as a gesture to show others that Tianman would not let them develop peacefully, and Tianman would share any valuable cake. This will stimulate them to run faster and bring more surprises to He Chen like Galgame in "Huan Zhu Ge Ge" in the prosperous era and "Lethe" in Qian Man.

"What kind of copyrights did you get?"

There have been countless novels before. Even animation and comic companies across China have to check the market response. It is impossible to buy out all the copyrights at once, so they can always leave some to Tianman.

During Zhou Zhe and Daisuke Ono's trip, in addition to making gestures, the other thing was to go "Taobao".

The copyright had only gone through preliminary negotiations and had not yet been finalized. Zhou Zhe was preparing to ask He Chen for his opinion on those works. After all, He Chen's vision was deeper and further than his in terms of the value of these works.

Zhou Zhe told He Chen the names of all the works he noticed this time. Some were the same as those in He Chen's original world and He Chen had heard of them, while some were completely unfamiliar and should be local works.

Among them, the one that concerned He Chen more was "The Deer and the Cauldron". Zhou Zhe negotiated the copyright of "The Deer and the Cauldron".

Compared with "The Deer and the Cauldron", The Condor Trilogy, "Dragon", etc. would be more exciting if adapted into comics. After all, the scenes in "The Deer and the Cauldron" are not as good as those works.

If He Chen could think of it, others would naturally think of it too, and he was afraid that this was also the reason why "The Deer and the Cauldron" could be left to them.

"In addition to the copyrights for comics, animations, and games, let's buy the movie rights for "The Deer and the Cauldron"!" He Chen suddenly remembered the diligent Master Xing. It seemed that "The Deer and the Cauldron" was waiting for him to be released. into his hand.

So except for the TV series copyright, He Chen had no interest in it, so he bought all the remaining copyrights.

"The Deer and the Cauldron" is also a skill-adapted RPG game that can be added to a fighting game and adapted from Galgame.

As for those works whose names he had never heard of, He Chen asked Zhou Zhe to go see them by himself and buy them if they fit. Tianman is not short of money. (To be continued. If you like this work, you are welcome to come to Qidian.com () to vote for recommendations and monthly votes. Your support is my biggest motivation. Mobile phone users, please read it.)