Rebirth of the Father of Anime

Because of "" and Miku, the entire music world is divided into two distinct factions.

One group believes that Hatsune is just a music software that only expresses songs using preset programs and cannot highlight the emotions in the music. Letting a software sing is not only a blasphemy to the songs, but also a fool to the audience.

The other group believes that the song itself contains emotions, and only by having Miku sing it can the audience truly feel the original charm of the song.

The entire music industry has been involved in this controversy. Those who oppose virtual singers are called "onionists". Most of them are people who can sing but lack the ability to compose music and lyrics; while those who support virtual singers are Ji's group is known as the "Qing Cong School". Most of them are songwriters and singers with original abilities.

All conflicts arise because of interests, and it is the same here.

Originally, because they were behind the scenes, most of the audience only recognized the celebrities and not the songwriters. No matter how famous the composer was, except for songs with special meanings, a good pop song could sell for tens of thousands. However, The potential value brought to celebrities is millions!

Such a significant difference has led to the inequality of status between the two parties.

But simple songwriters can't do anything about it, because without the spread of singers, their songs won't be heard by the audience.

The appearance of Hatsune changed this situation.

Songwriters have an additional channel, a channel that allows them to express themselves at will. They will also use Miku to come to the stage from behind-the-scenes staff who rely on other people's fame - because for Miku's songs, the audience is like following novels and comics. Same. Pay more attention to its author.

Singers also made a sudden comeback. Now I want to hire someone to write a song. It requires a higher price, and just like that, others may not write it for you.

So in the debate, the songwriter finally stood on an equal footing with the singer.

It also forced some singers who were not as yielding as Miku to start trying to write original songs.

These things did not have the slightest impact on He Chen.

All he knew was that the Qianxun Music Chart had been monopolized by Hatsune. At a glance, they are all Miku.

Miku's "Onion Swinging Song" has conquered all square dances across the country. Fans and handkerchiefs worn by square dancers have all been replaced by Miku's green onion peripherals specially produced by Tianman.

Every day the cheerful rhythm of "Onion Swinging Song" echoes in the sky all over China.

A large group of square dancing ladies, unwilling to be left alone, danced in the square waving green onions. The beautiful scene was hard to look at.

The Anime Appreciation Festival Concert ended successfully, and "White Album 2" was unlocked.

The selling points of galgame were all 18x-oriented works until the emergence of key. With an unshakable milestone work of galgame - the all-ages version of "clannad", the negative influence of galgame has been reversed in one fell swoop.

He Chen directly used the all-age version of "" to create a galgame. Galgame has directly become a mainstream romance-themed work without any 18x negative impact, and it has opened a very perfect start for galgame.

He currently has three romance works in his hands: "I Want You to Death", "-Days", and "White Album 2".

"I Want You to Death" is one of the most classic girls' romance comics. However, just like Qianman's "Lethe", it lacks adaptability and is only suitable as a pure animation work.

He Chen had already redeemed "-days" last year, but he had just started the pure love era of galgame with "", and then launched "-days" on the back foot. This contrast was too strong, and He Chen was afraid that the audience would not be able to bear it.

Therefore, "White Album 2" was chosen as the second galgame work.

"" is because it wants to open up the market for galgame, so it will first publish comics and animations. At the last moment when the popularity is the highest, galgame will be launched in one fell swoop, allowing this type of game theme to immediately gain a foothold in many games.

For "White Album 2", He Chen plans to release the game first, and then the comics and animation. In this way, the audience will not be affected by the first impression of animations and comics, and will support their favorite characters from the heart. Only then can the Dongma Party and Xuecai Party be in love with each other. The fight for peace and party harmony continues.

Since it is impossible to have an 18x plot, He Chen wants higher quality CGs, so as to arouse players' interest in collecting CGs. After all, in addition to conquering every beautiful girl in the galgame, collecting a large number of exquisite CGs can also provide players with Brings great satisfaction.

Inoue and Kisaragi have a strong interest in game CGs with the theme of beautiful girls. With their unparalleled superb painting skills, they defeated other opponents and won the position of assistants for He Chenchun's (healing) love (healing) masterpiece "-album".

Gao Yang and Qiu Yun both regretted this. After being cured by the teacher's "", the two finally determined the theme of their future development. After quickly completing "Kemp's Law", they serialized "Pokemon" Super Period chapters, while imagining their own romance comics.

This time I learned that the teacher was going to publish another work about love, so I tried my best to become an assistant for this work, hoping to learn something and get inspiration from it.

It's a pity that the painting style of the two does not meet He Chen's requirements, although the portrayal of women in "Kempfa" is pretty good. But it is a bit too expressive of appearance, and He Chen needs that kind of implicit feeling, preferably the kind that is obviously wearing clothes, but can give people a hazy illusion of not wearing clothes.

Only in this way can players fall into a big pit of collecting CG.

This is exactly what Inoue Takehiko and Kisaragi Gunma wanted. The short story "Sadako" did not satisfy the two of them, so they took to the "-album" like a duck to water, shaping the female characters in it, let alone the men. . Even after the woman saw it. I can't even control it!

"Do you want to paint this kind of subject?" I saw the regretful looks of the two of them. He Chen asked.

Gao Yang nodded and answered honestly: "Teacher, we are indeed a little weak in combat. The combat in "Pokemon" is too simple, and we didn't notice it ourselves. If we follow your "Sailor Moon" rashly, go It was only after I drew "Kemp's Law" that I discovered my own problem... Although "Kemp's Law" was recommended by you and is quite popular. But the battle inside..."

Gao Yang and Qiu Yun looked at each other and smiled awkwardly: "Don't tell me that readers are always complaining, I can't stand it myself. After watching this movie, we found that we are not suitable for painting fighting themes, and funny types are not as good. Xiaoyu. Our style tends to be warm and a little joyful. After watching "", we wanted to learn from the theme of ""."

The two knew that their talents were low, so they worked harder than others. Keep trying various styles of works.

He Chen also noticed the attitude of the two people. So he said to them: "There is another one with the same theme. I think you will like it very much."

Tian Shi is best at the style of "I am so anxious to kill you". Unfortunately, Tian Shi would not be interested in this kind of subject matter that promotes heterosexuality. If she were asked to paint, He Chen was really afraid that she would end up unknowingly developing into Feng Hao. The love triangle between Shota, Ryu Sanada and Taketo Miura.

When Gao Yang and Qiu Yun were painting "Sailor Moon", they studied Tian Shi's painting style, and combined with their own cute painting style, it is also very suitable for "I Want to Kill You".

So He Chen decided to let them be his assistants in "I Feel Like I'm Killing You".

"Inoue, Kisaragi, the CG of this game won't take you too long. There is another theme. Do you want to draw it?" Finally, He Chen asked Inoue Takehiko and Kisaragi Qunma.

"What else?" They were given two tasks at once, and they felt the favor of their most respected teacher. Ruyue Qunzhen immediately replied: "Everything will follow the teacher's arrangements!"

After coming to China for a while, this guy spent all day watching animations and TV series. His speaking improved rapidly, and he even learned all about China's style.

Takehiko Inoue still had a straight face and looked at He Chen with dead eyes, and asked: "What subject? Are there women? Are there many? Do you need sex?"

He Chen was already used to his character, but he just sighed in his heart, why can't the great master paint well?

He also wants to see a master create "Vagabond" in this world.

If he could change the script of "Vagabond" to ancient Chinese style under He Chen's influence, then He Chen would be even happier.

"Except for the first heroine, all the other female characters are!" He Chen said affirmatively.

"Okay! I'll draw!" Takehiko Inoue's dead eyes lit up and he answered in a muffled voice.

"This is a fantasy time-travel theme, with magic and alien races. I only give you an idea, just like in "Sadako". You can draw the specific content as you like. Togashi, Oda, you two will also come to help, Oda , I think you have great potential in painting fighting works..." He Chen said to Eiichiro Oda and Yoshihiro Togashi again.

Gao Yang and Qiu Yun had just talked about fighting, but He Chen immediately said that he had the potential to draw a fighting style. Eiichiro Oda was so excited!

So he immediately said loudly: "Hi!"

I thought to myself, no matter what the other people were like, I had to do my own battle scenes well in this work, and I couldn't live up to the teacher's expectations!

"Togashi, you continue to be in charge of the story, this time you can do whatever you want." He Chen gave Togashi Yoshihiro high authority, and Togashi Yoshihiro nodded excitedly.

Time travel, alien world, magic, alien race, the first heroine has small breasts, and the others are **.

The theme He Chen told them was "The Familiar of Zero".

When Ono Daisuke captured Kugimiya Rie for He Chen, He Chen immediately thought of Kugimiya Shimoe who spread the Kugimiya virus in "The Familiar of Zero", "Shakugan no Shana", "Tyrant Butler", "Dragon" "With Tiger".

Cute works use characters as their selling point and have very little dependence on the plot. Basically, after reading it, readers will forget the plot, but they will be deeply impressed by the characters.

Therefore, as long as He Chen remembers the character settings, there is no need to wait for the system to refresh.

Among these works, He Chen chose "The Familiar of Zero".

First of all, the theme of time travel and fantasy can be regarded as a mainstream in the current online literature category, and He Chen has not touched upon this type of theme.

Secondly, there are many girls and European characters in it, which can arouse the creative passion of Takehiko Inoue and Gunma Kisaragi. It can be regarded as He Chen fulfilling the agreement he made when he abducted Takehiko Inoue - he said at the time that if "Slam Dunk" is finished, he will give him a subject that satisfies him. If Takehiko Inoue hadn't reminded He Chen again last week, He Chen would have forgotten this agreement.

Finally, he has Yoshihiro Togashi.

For this type of fantasy themes, Yoshihiro Togashi is the best at it.

Yoshihiro Togashi does the original work, Oda assists with the battle scenes, and Inoue and Kisaragi do the character design. With such a lineup, even the original "Zero no Tsukaima" will have to kneel down. (To be continued...)

ps: Sorry...it's so late today...