Bao Siqing could only spare time to spend this day with Yun Hua.

He came to Hong Kong Island this time with a mission, and the progress of the mission had to be reported every day. On the day when Yun Hua fell ill, he was delayed for a whole day, and he didn't know how many calls came to urge him to inquire.

Bao Siqing was a little annoyed.

Yun Hua told him, "For the two of us, this world is like a copy, not real enough, but for Dudu and Doudou, this is their world. We don't know when we will leave, at least in the future." We must create certain conditions for them before leaving.”

Of course, Bao Siqing understood what she meant and sighed, "Yes, madam."

Yun Hua smiled and gave him a hammer.

Bao Siqing was still busy, while Dudu and Doudou were playing Lego at Yao Jiajia's side.

It was okay when Yun Hua's fever passed. After all, she was young and her body recovered quickly. She didn't go out. Instead, she found paper and pen. She was going to start her old job, writing scripts.

Nowadays, the inland is vigorously developing infrastructure, food, clothing, housing and transportation, and investment in cultural industries is relatively small. However, when we first arrived here, it was a period when film culture was booming.

Nowadays, those who make movies on Hong Kong Island are all well-educated, and the stars don’t have much freedom, but the creation of scripts is much simpler.

She can definitely write the script and let Yao Jiajia find a director and actors to film it.

Yao Jiajia's husband, Huang Chengxiang, has a strong background in Hong Kong Island. He has both black and white skills. He also has the funds and capabilities. He is simply the best partner.

And Yao Jiajia also feels grateful for her. Of course, she may also want to show off, but it doesn't matter. For Yao Jiajia, this is too normal. No matter who has experienced what Yao Jiajia has experienced, they will be eager to return home in glory. .

After Yun Hua told Yao Jiajia about writing the script, Yao Jiajia didn't take it seriously.

In her opinion, even if Yun Hua was very capable, so what if he was admitted to a university in Beicheng? After all, her vision is still limited to remote mountain villages in the mainland. She has only been in Hong Kong Island for a few days? Has she ever seen how prosperous Hong Kong Island is?

She didn't think Yun Hua had the ability to write a good script at all!

Yun Hua could also see that Yao Jiajia's attitude towards her writing a script was just to deal with it, which was normal. After all, scripts were something that ordinary people couldn't get into.

However, just let the facts speak for themselves. Before the script is written, it is useless to say more.

In today's Hong Kong, gangster movies and tragic hero characters are very popular. In other words, movies and television have always been very popular about tragic hero characters.

At this time, it is obviously not possible to write a script that is too advanced and does not conform to the aesthetics of the times. If you want to succeed, you must first have a clear positioning and know what this era wants.

Yun Hua spent three days writing her first script, "Heroes of West Street". She gave the script to Yao Jiajia and asked her to find a good director to read it.

As for whether she was worried about the script being directly misappropriated, she told Yao Jiajia: "I can write a script of the same quality in a month."

If you want to make a one-time deal, then just steal it; if you want a long-term cooperation, then give her the right to sign and give her the remuneration she deserves!

Yao Jiajia read the script, and to be honest, she couldn't understand it.

Because scripts are different from novels, the scripts Yun Hua produced could be used directly in filming. Ordinary people would look dry.

But when you show it to the director, it's different.

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