Hollywood Road

The studio was dark, and Henry Cavill, who was wearing a black uniform, stood in front of the camera lens. His sturdy body was like a hill, and he seemed to be full of explosive power, like a tiger about to go down the mountain. A very dangerous feeling.

After the tempering of "City of Chaos", coupled with the assistance of makeup, clothing and cameras, Henry Cavill's aura is obviously stronger than before.

Opposite Henry Cavill, several people who were dressed somewhat similarly to him were tied up and squatted there.

The scene is very simple, just a few lines of dialogue.

But this simple play expresses a difficult theme.

"Why do you have this right!" Faced with Chris Dan's persuasion, one of the imitators asked loudly, "What do you think is different from us?"

Henry Cavill didn't show any expression, and said coldly, "I don't wear a hockey chest protector."

Then, he turned away silently.

"CUT!" Murphy called to stop the crew, "This one is over!"

After all, with "City of Chaos" as the basis, this shooting was much smoother, and Henry Cavill was wearing a mask, and Murphy didn't expect him to have good acting skills. Composite through post-production.

The crew temporarily entered a brief adjustment, preparing to shoot the next scene.

Margot Robbie, who has no role today, stood on the periphery, watching Murphy direct the entire crew to work with Gal Gadot.

"Gail..." Margot Robbie asked suddenly, "Why did Chris Dann give such an answer?"

Although Chris Dann satirized the other party's question in a humorous way, he did not answer the question directly. Gal Gadot saw it more clearly, "Because Chris Dann was speechless about that question. right."

"Speechless?" Margot Robbie couldn't help but looked at her strangely, "Why do you say that?"

"It's very simple, why does Chris Dann have the power to break the law?" Gal Gadot's eyes turned to Murphy. The theme of this film is absolutely the deepest among all commercial films. , "I think this is a layer of meaning that Murphy wants to express."

Margot Robbie still didn't understand, and couldn't help but continue to ask, "Chris Dane is fighting crime. Isn't he here to save New York, a chaotic and dark city? Isn't he the embodiment of justice? New York vigilantes?"

"Honey, I studied law when I was in college, and there has never been a compulsory police officer in law!" Gal Gadot said seriously, "Individuals, even people like Chris Dann, should override Above the law?"

"Uh……"

Although she has not studied the law, Margot Robbie also knows some basic common sense. According to the formal saying, no one person or team can be above the law.

While the two of them were discussing, the voice of Murphy telling the crew to start filming sounded again on the set.

Christoph Waltz is already standing in front of a green screen set up with Henry Cavill.

Murphy and Philip Lascher each control an IMAX camera, from a position at a forty-five-degree angle on the same side, filming Sheriff Lynch played by Christopher Waltz and Sheriff Lynch played by Henry Cavill without interfering with each other. A conversation between Chris Dane.

Standing in front of the green screen, Henry Cavill said to Christoph Waltz, "It's beautiful? Isn't it?"

Christopher Valzdo was puzzled and asked, "What is this?"

"This is a receiving device that transmits through a high frequency." Henry Cavill said seriously, "One of the devices left by Reiner's organization in New York can turn every mobile phone that is talking in New York into an extension device." speaker!"

"Pretty," says Christoph Waltz, a cop, coldly, "but immoral and dangerous."

He looked quite serious,

"It only takes half of the cell phones to be your sonar source, and you can spy on the whole of New York, which is wrong."

"Lynch!" Henry Cavill slowly clenched his hands with Kevlar gloves, "I must find that person, find the magician!"

"But at what cost?" Christoph Waltz asked worriedly. 【】

He is a realist, so he is very clear that it is difficult for the police and the law to restrain a character like Chris Dane. Once he breaks through his own bottom line, he will become as dangerous as Renner and a magician.

Henry Cavill was silent and did not answer him, and now Chris Dann has no time to discuss these moral and democratic issues.

After a while, he said, "I am here to restore the tranquility of the city."

Christoph Waltz still frowned, "This power is too powerful for one person."

Not far away, Gal Gadot and Margot Robbie have been watching the shooting site in front of the camera, and the two are also nodding, obviously approving of Christopher Waltz's lines, if in the real world, there is really It's creepy that a person can listen to everything about them through a device.

Sitting behind the director's monitor, Murphy thought of another thing. This country is far from being as democratic as he advertised, and the degree of monitoring, such as the Prism Gate or something...

He shook his head, and turned his energy back to filming the set.

Henry Cavill stared at Christoph Waltz, "I've found the position of the magician, I need you to give me some time!"

"Where?" Christoph Waltz asked.

"Follow the signals above." Henry Cavill didn't answer him, just threw a receiver to Christoph Waltz, "The last place I stayed was the magician's position!"

Henry Cavill turned and walked outside, just when Christopher Waltz wanted to ask what to do with the monitoring device, he raised his hand and pressed a transmitter.

However, the two were facing a green screen before, so of course there would be no reaction. These effects had to be added through post-production.

"Stop!" Murphy stood up from behind the camera and said loudly, "This one is over, all departments reset, rest for ten minutes, and shoot again in ten minutes."

Then, he said to Philip Lascher, "According to the plan, close-up shooting!"

Due to the IAX camera, in the shooting just now, the cameras of Murphy and Fili-Raschel were used to capture and shoot panoramic shots respectively, which could not take into account the close-up of the actors. This is the limitation of the number of equipment. The best solution is to shoot more several times.

This is also impossible, although there are currently only four I**.9802 film cameras in the world, and the other two are currently in other crews. The current two are the largest resources that IMAX can deploy .

AX camera, the one that was hung up in TDK shooting, is this model, this machine is very commonly used, used to change 2, Disc 4, Dark Knight, Dark Knight Rises, Trek, Hunger Games, StarCraft, Star 7, Super Bat And so on have used this machine.

However, this machine can only shoot 2D. If the movie made with it becomes 3D, it must be converted to 3D later.

Past IAX cameras have been available in digital versions.

I.65 is a 3D digital IAX camera.

This camera is more convenient than the traditional IMAX film camera, but Murphy chose to use film for his own goals, so he had to give up the more advanced phantom.65 camera.

As the soul of the entire crew, Murphy's use of IMAX cameras will be more frequent and in-depth than the previous "City of Chaos", and "Dark City" will also be the one that uses the most IMAX lenses so far For the film, after 20th Century Fox invested an additional 20 million US dollars, he has increased the proportion of shooting shots to 65% to 70%.

In the face of large sums of money, IMAX provided Murphy with strong technical support. These heavy cameras are hand-made, and each has a different personality, but they are basically of the same standard, and all parts are can be interchanged.

There are several kinds of IM, 50MM, 80MM, 110MM, 150MM and 250MM, and many of them are equipped with T2.8 aperture of 65MM adapter ring and Hasselblad camera lens of medium format, so the focus of the camera lens will not be affected easily. influences.

The focusing of the IMAX camera is quite troublesome. In the shooting of some shots in the past, Philip Raschel could not focus manually, and had to use a remote focuser equipped with a torque motor to operate the whole process.

During the preparatory period, Murphy improved some lenses to IAX's technical engineers based on previous technical experience, and made a new viewfinder.

The IMAX mechanical parts in the IM lens were replaced with a film-spec Panavision converter, and they also reworked the entire lens head to fit a mechanical aperture mechanism, as Murphy requested.

The transformation of the lens with 50MM and T2.5 aperture is different. The people of IMAX company put most of the lenses of the lens into a new lens barrel and transformed it into a more stable lens converter.

In addition, they also manufactured a custom lens with 50MM and T2 aperture according to the construction principle of the reverse telephoto lens.

These are the basis of shooting. Without good enough equipment, even the best ideas can only exist in the director's head and on paper.

Remove the green screen, adjust the camera position, Murphy and Fili-Raschel each control a reading, a better reading experience.

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