Hollywood Road

Chapter 433 The Killing Demon King

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Once back in Paris, Murphy re-entered the filming of "Inglourious Basterds", and James Franco also came here and participated in it. His role as Lieutenant Aldo is undoubtedly an extremely important role in the film. .

For the Nazis, Lieutenant Aldo was the bastard of a jerk.

"I am Lieutenant Aldo Reina!"

Under the dark airport setting, James Franco stood with his hands on his hips in front of a line of lines aimed at the main camera lens. He was serious and dignified, coupled with the terrifying scar on his neck, which made him look very imposing, "I want to build One ranger, I need eight! Eight Jewish-Americans!"

Although there are still eight actors on the set, this is completely a one-man show belonging to James Franco, "You may have heard that the Allied forces are preparing to counterattack, but we have to start early."

He kept walking in front of a group of people, "We will be airdropped to France and disguised as civilians. When we enter enemy-occupied territory, as guerrillas, we will do one thing and only one thing!"

James Franco turned his head, looked at the main camera, gritted his teeth and said, "Kill the Nazis!"

"I don't know all of you, but you were transported by the military from a prison in the United States to an airport in the United Kingdom, across thousands of miles of water, across the entire Atlantic Ocean, and parachuted from the plane, not to explain human nature to the Nazis. The Nazis have no humanity. , they are anti-semitic Holocaust soldiers who need death, so any bastard we see in a Nazi uniform, die."

He paused for a few seconds, waited for the main camera to switch to a close-up, and continued, "I am a direct descendant of the pioneer Jim Bridger, which means I have Indian blood, and our battle plan is like the Indian resistance. Likewise, we were cruel to the Germans, and they would see our cruelty, and they would see the evidence of our cruelty, the deformed corpses of enemy soldiers we left behind, and the Germans could not help but imagine, How we cruelly treated their comrades, imagine our boots and knives, the Germans will tremble for us, the color of the conversation will change, will fear us, when the Germans close their eyes at night, they will be punished for the crimes they have committed torment..."

James Franco finally said with a serious expression: "Working under my men is a debt, a personal debt to me, and everyone under me owes me 100 Nazi scalps. I want my scalps. You all have to give me 100 scalps from the dead Nazis, if you don’t have enough, keep looking. [Fiction]”

"Stop." Murphy stood up from behind the director's monitor, "This one is over."

He gave James Franco a thumbs up. "Good job, Jim! Keep it up."

James Franco smiled at him, took the water glass handed by the assistant, and walked towards the rest area.

Murphy turned to the assistant director behind him and said, "Notify the transition. Let Christoph Waltz and Margot Robbie prepare."

He took the lead in bypassing the set at the airport and walked towards the opposite side. The set over there had been set up as an old-fashioned French restaurant. Many crew members were making final preparations, and an assistant director was directing numerous extras. in place to serve as an acceptable backdrop for the shoot.

"David!" Murphy snapped his fingers to David Robbie who came over, "The lights should be brighter, it doesn't need to be too dark here."

He looked at the background of the seats of the two characters for a while, and then said to Helena Espora, "Remove the bookshelf, the background color of Colonel Hans should be golden and emerald."

Helena Espora nodded, "I'll do it now."

Murphy explained to Feli Lascher some precautions during filming. The two absolute protagonists of this scene, Christoph Waltz and Margot Robbie, walked into the studio one after another.

Seeing them, Murphy said to Jack Watson, who came out behind the two actors, "Okay, very well done!"

then,

He told the two actors, "Chris, Maggie, don't mess up your current looks, I want this feeling."

Christoph Waltz gestured cautiously, "Don't worry."

Margot Robbie nodded to Murphy, "I will pay attention."

Murphy glanced at these two people again, and had to say that after years of training, Jack Watson's styling level has risen sharply, and it is not an exaggeration to say that he is top-notch in Hollywood.

Filming began shortly thereafter, with Christoph Waltz continuing his previous high-level performance.

He is not tall enough, looks ordinary, and the slightly raised shovel-shaped chin does not meet the usual aesthetic standards, but he appears in the camera in the SS uniform, just like you meet an inconspicuous stranger at a ball Man, he invites you to dance a waltz. You find that he talks humorously and is personable, making you feel like a spring breeze, and maybe even give birth to some ambiguous fantasies. However, when the music stops, he bows to you politely and hides in the dark , and will show viciousness like a poisonous snake.

On the other hand, Margot Robbie's performance is still at the most basic stage of appearance.

"You go first." Christoph Waltz gestured gracefully to the pie on the table.

Margot Robbie opened her eyes wide, nodded her head lightly, picked up the knife and fork in a rather elegant and beautiful posture, cut off a piece of pie, and put it in her mouth.

Christoph Walz asked again, "How does it taste?"

"Very good." Margot Robbie acted quite relaxed, as if the character never knew Colonel Hans.

Looking at the picture on the monitor, Murphy shook his head, decided not to wait any longer, and called out, "cut!"

With the sound of his yelling to stop, the crew stopped running immediately.

Murphy deliberately waited for half a minute so that the two actors could get out of their roles, then walked into the middle of the set and stood opposite Margot Robbie reads;.

Margot Robbie knew she had made a mistake without anyone having to tell her.

Although she has known Murphy since she was a teenager and has a good relationship, she still obediently waits here. A newcomer actor like her can only listen to a director of Murphy's level.

"Maggie," Murphy looked at Christoph Waltz, "what kind of person is he in the film?"

"Butcher! Executioner!" Margot Robbie said without hesitation, "Jewish hound! A murderer with a great reputation!"

"How would a normal girl react when she saw someone like this?" Murphy asked again.

Margot Robbie understood immediately, "nervous, scared, pretending to be calm..."

Murphy nodded, said nothing more, walked out of the set, and ordered, "Start shooting in ten minutes!"

Perhaps Christophe Waltz is too good, and Margot Robbie, who is set off by the background, looks very young. The shooting was not going well, and every step was completed in a bumpy way. The crew filmed this seemingly simple dialogue scene. It took three and a half days to declare completion.

This was a full day and a half longer than Murphy had planned.

Fortunately, the film will not be released until the end of the year, and there is no need for particularly complicated digital special effects processing in the later stage. Murphy has plenty of time, and he has enough time to shoot his ideal shots.

During the intervals between filming, in line with 20th Century Fox's publicity needs, the cast and crew of the film crew will also be interviewed by the media in due course.

After the filming of the scenes in the banquet hall, Christoph Waltz and Margot Robbie, along with the crew's press spokesperson, attended the latest external briefing.

"I'm obsessed with Murphy's screenplay, really. He's a genius, and I'm willing to devote myself, unconditionally, to his film."

Facing the reporter's question about cooperating with Murphy, Christoph Waltz said directly, "Murphy is a pure director, and every nerve fiber is serving his directorship."

Of course, the reporter will not let go of Margot Robbie, who looks young, sexy and beautiful. Compared with Christoph Waltz, Margot Robbie's answer is more from the actor's point of view.

"Murphy is the kind of partner that actors dream of collaborating with." Her smile looks very charming, "He never instructs actors indiscriminately, asks them what to do, but gives appropriate guidance, and then allows the actors to understand and play by themselves, Perhaps it is this kind of indulgence that allows an actor to burst out all the energy he has accumulated."

Since most of the reporters were from the media under the News Corporation and 20th Century Fox, they asked relatively restrained questions. Christoph Waltz and Margot Robbie were basically not troubled, and the press briefing was successfully completed.

Leaving the press room, Christoph Walz and Margot Robbie walked towards the makeup trailer together.

"Miss Robbie, are you a Jew?"

During the filming, the two didn't have much contact except for work, and Christoph Waltz didn't know much about Margot Robbie, "My son is a devout Jew."

Margot Robbie glanced at Christoph Waltz, not quite understanding what he meant, but said politely, "I'm not Jewish, and I don't believe in Judaism. I'm an Australian, and I believe in Catholicism."

Christoph Waltz looked very personable, "I took the liberty."

He thought that the director would find a Jewish or Jewish actress to play Soshana, but now it seems that he was totally wrong.

Margot Robbie could also see that Christoph Waltz had no other intentions, smiled politely at him, and walked into her makeup trailer.

She knew that there were some gossips about herself in the crew, but it was actually quite normal. After all, her relationship with the director and David Robbie was not a secret, so some people would naturally be jealous of her role.

But, who cares about them? Only losers would hate to spread such nonsense.

Margot Robbie is very clear that what she needs to do is to play well, seize this rare opportunity, and make her role even more brilliant!

At least Gal Gadot, who introduced her to audition for the crew, should not be ashamed.

Everyone has their own troubles when facing work, Margot Robbie has, and director Murphy is no exception. ()

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